1answer.
Ask question
Login Signup
Ask question
All categories
  • English
  • Mathematics
  • Social Studies
  • Business
  • History
  • Health
  • Geography
  • Biology
  • Physics
  • Chemistry
  • Computers and Technology
  • Arts
  • World Languages
  • Spanish
  • French
  • German
  • Advanced Placement (AP)
  • SAT
  • Medicine
  • Law
  • Engineering
Shalnov [3]
2 years ago
12

The best time to cry is at night, when the lights are out and someone is screaming for help. That way even if you sniffle a litt

le they won't hear you. If anybody knows that you are crying, they;ll start talking about it.
—Monster,
Walter Dean Myers


Which effect do the two structures have on the way Steve shares his experience?

Steve shares outside perspectives through his diary entries. He uses the screenplay to show his thoughts and feelings.
Steve shares his personal feelings through the diary entries. He uses the screenplay to distance himself from his trial.
Steve shares all characters’ feelings through his diary entries. He uses the screenplay to make his story seem more believable.
English
2 answers:
Bad White [126]2 years ago
7 0

Answer:

is b :)

Explanation:

coldgirl [10]2 years ago
5 0

Answer:

The asnwer is B

Explanation:

i Took the test on edge

You might be interested in
What is emerson's purpose in shifting among pronouns I, we, and you?
Rom4ik [11]
The correct answer to this question is that Emerson believes that a sentence can be grammatical in context but ungrammatical in isolation. Thank you for posting your question. I hope this answer helped you. Let me know if you need more help.   
8 0
3 years ago
What is an example of how languages differ in distinguishing colors? *
Blizzard [7]

Answer:

Explanation:

The human eye can physically perceive millions of colour. Some people can’t see differences in colours – so called colour blindness – due to a defect or absence of the cells in the retina that are sensitive to high levels of light: the cones. But the distribution and density of these cells also varies across people with “normal vision” causing us all to experience the same colour in slightly different ways.

Besides our individual biological make up, colour perception is less about seeing what is actually out there and more about how our brain interprets colours to create something meaningful. The perception of colour mainly occurs inside our heads and so is subjective – and prone to personal experience.

Take for instance people with synaesthesia, who are able to experience the perception of colour with letters and numbers. Synaesthesia is often described as a joining of the senses – where a person can see sounds or hear colours. But the colours they hear also differ from case to case.

Another example is the classic Alderson’s checker-shadow illusion. Here, although two marked squares are exactly the same colour, our brains don’t perceive them this way.

Since the day we were born we have learnt to categorise objects, colours, emotions, and pretty much everything meaningful using language. And although our eyes can perceive thousands of colours, the way we communicate about colour – and the way we use colour in our everyday lives – means we have to carve this huge variety up into identifiable, meaningful categories.

Painters and fashion experts, for example, use colour terminology to refer to and discriminate hues and shades that to all intents and purposes may all be described with one term by a non expert.

Different languages and cultural groups also carve up the colour spectrum differently. Some languages like Dani, spoken in Papua New Guinea, and Bassa, spoken in Liberia and Sierra Leone, only have two terms, dark and light. Dark roughly translates as cool in those languages, and light as warm. So colours like black, blue, and green are glossed as cool colours, while lighter colours like white, red, orange and yellow are glossed as warm colours.

The Warlpiri people living in Australia’s Northern Territory don’t even have a term for the word “colour”. For these and other such cultural groups, what we would call “colour” is described by a rich vocabulary referring to texture, physical sensation and functional purpose.

Remarkably, most of the world’s languages have five basic colour terms. Cultures as diverse as the Himba in the Namibian plains and the Berinmo in the lush rainforests of Papua New Guinea employ such five term systems. As well as dark, light, and red, these languages typically have a term for yellow, and a term that denotes both blue and green. That is, these languages do not have separate terms for “green” and “blue” but use one term to describe both colours, a sort of “grue”.

People see colours differently according to the way their language categorises them.

Historically, Welsh had a “grue” term, namely glas, as did Japanese and Chinese. Nowadays, in all these languages, the original grue term has been restricted to blue, and a separate green term is used. This is either developed from within the language – as is the case for Japanese – or through lexical borrowing, as is the case for Welsh.

Russian, Greek, Turkish and many other languages also have two separate terms for blue – one referring exclusively to darker shades, and one referring to lighter shades.

The way we perceive colours can also change during our lifetime. Greek speakers who have two fundamental colour terms to describe light and dark blue – “ghalazio” and “ble” – are more prone to see these two colours as more similar after living for long periods of time in the UK – where these two colours are described in English by the same fundamental colour term: blue.

This is because after long term everyday exposure to an English speaking environment, the brain of native Greek speakers starts interpreting the colours “ghalazio” and “ble” as part of the same colour category.

But this isn’t just something that happens with colour, in fact different languages can influence our perceptions in all areas of life. And in our lab at Lancaster University we are investigating how the use of and exposure to different languages changes the way we perceive everyday objects. Ultimately, this happens because learning a new language is like giving our brain the ability to interpret the world differently – including the way we see and process colours.

6 0
3 years ago
Which character is considered to be a foil for Eurynome?<br> in The Odyssey
STALIN [3.7K]

Hi there!

In the Odyssey, Melantho is a foil to Eurynome and Eurykleia.

Melantho, the sibling of Melanthios, is a palace servant who is loyal to the suitors rather than the Queen. In order to die in the most humiliating way, she is hanged.

In literature, a foil character is a character that is opposite to the main character in personality, physical appearance, or both.

4 0
3 years ago
Read 2 more answers
4. Comedies are a lot of fun to watch,
djverab [1.8K]
Comedians are very funny to watch
5 0
3 years ago
BRAINLIESTTTT ASAP!!!
JulsSmile [24]

Well it isn’t C. Or D.

For a lil bit I was tied between A. And B.

But I figured out it is A.

Hope that I could help you

7 0
3 years ago
Other questions:
  • What is a compound noun
    5·2 answers
  • 2. A denotation of chicken is "a barnyard fowl" and the connotation is?
    7·1 answer
  • Why doesn’t trinculo like Caliban?
    12·1 answer
  • Given the latin root harmos meaning "joint "or "shoulder" which word
    13·2 answers
  • 4. Which of the following best describes the tone in the poem section below? The gunner we had was apparently mad For he sat on
    7·2 answers
  • ASSESSMENT QUESTIONS
    8·1 answer
  • What are the most important things to think about when choosing a career?
    10·1 answer
  • Help would be appreciated xxx (:
    8·1 answer
  • Why have jonas’ relationships with his friends changed? HURRY ANSWER!!!
    6·1 answer
  • How effectively does the figurative language in this paragraph
    15·1 answer
Add answer
Login
Not registered? Fast signup
Signup
Login Signup
Ask question!