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The positive and negative shapes in m. c. Escher's print sky and water I balance each other and are an example of<u> figure ground reversal.</u>
Sea and Sky The Dutch artist M. C. Escher's woodcut print I was initially published in June 1938. Birds and fish form a regular divide of the aircraft in this print.
The central, transitional area of both prints has the horizontal series of these components, which fit into one another like the parts of a jigsaw puzzle.
Birds and fish alternately serve as the foreground and background in this core layer, depending on whether the viewer's attention is drawn to light or dark parts.
In the upward direction, the birds become more three-dimensional, and in the downward direction, the fish. However, the fish and birds eventually lose their shapes as they go upward and below, respectively.
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intricate cut-paper silhouettes, together with collage, drawing, painting, performance, film, video, shadow puppetry, light projection, and animation, to comment on power, race, and gender relations.
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