Answer:
The writing style goes from 3rd person to 1st person
Explanation:
When the narrator referred to 'no man' it is in third person POV, then he refers to 'my work' which is in first person POV.
Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
It would have been better to know the details about Sergeis 's decision to see what he can do good or bad.
The literature of America has changed over time, as in the Renaissance period, where there were social and political transformations in the world.
<h3 /><h3>What was the Renaissance?</h3>
It was a worldwide philosophical movement that impacted the arts and politics by establishing reason and knowledge as the focus of society. In the USA, it took place between 1876 and 1917, with democratic and humanist ideals that impacted the development of the nation.
Some of the most important world literary works of the Renaissance period are:
- Hamlet
- Don Quixote de la Mancha
- The divine Comedy
- Romeo and Juliet
Therefore, literature is able to convey the values of a period by demonstrating the actions, behaviors and situations of an era through the author's ideas.
Find out more about Renaissance here:
brainly.com/question/2226422
#SPJ1
