Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul:
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. I would say that this passage of this poem perhaps hints of immortality about becoming "a living soul" and "seeing into the life of things" suggesting that a living soul can never die and what we see in the life of things is something which never dies as long as there is organic life.
1. Nibbles crept <u>quietly</u> across the carpet towards the open door and <u>promptly</u> sneaked through while no one was looking.
2. <u>Easily</u>, Sue edged over the ice as she talked <u>gently</u> to her dog clinging to a tree.
3. Eliot's car skidded <u>quickly</u> across the road as it went out of control and the others watched <u>silently</u>.
4. Yesterday, they <u>noisily</u> ate their dinner so they could get to the concert <u>immediately</u>.
5. The birds flew<u /> <u>slowly</u> <u /><u />towards the cliff top and sat <u>comfortably</u> on a ledge.
Suzuki uses rhetorical questions and passionate language to connect with the audience in both versions. However, she also uses a passionate tone of voice and eye contact to connect in the video.
