Answer:
Which of these statements is false?
a.white light is made of all colors
b. the color we see for any object is color that is reflected from it.
c. the primary color of light mix to make white.
d. the primary colors of pigment mix to make white.
Explanation:
Some of the qualities of Mannerism that are reflected in Bronzino’s work were “elegance, style, and technical skill. also the Mannerists took a very different approach. the term “mannerism” was used to suggest a more formal, less passionate approach to painting, with a focus on technique and style”.
Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
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Answer:
Aliens would be modified versions of us. They would have bigger heads and smaller mouths as they communicate telepathically . They would work as one. They would have better body armor suits that would make them look bigger then they are and keep them safe. They want to learn our ways and teach us to expand our minds to use the rest of our brains. They want to see if we are ready to learn and grow.
Explanation:
Everyone makes them scary thought a different take migt get a better grade