Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
If you forget to backstitch the peice will most likely come un-done. But u can probably go over it easlily
It would be B the falling action because once a story gets to that point you will know that it’s starting to get close to the end
1. The answer is "B. 1950s".
The Doo Wop style of plan in architecture started in the early years of the 1950s while America was encountering a sensational social move that characterized the beginning of another period. Amid this time American families were starting to encounter a fresh out of the box new life loaded with new openings.
2.The answer is "A. boomerang".
Doo Wop Architecture is broadly celebrated in Wildwood. It characterizes the look and feel of this great American shoreline town from the neon blazing signs that light up the well known Boardwalk to the boomerang looking points found in the structure of the crazy motels. As the decades go by and new development began to debilitate the demolition of old structures, the network individuals from Wildwood got together and framed the "Doo Wop Preservation League" to guarantee that our recorded engineering is safeguarded for future ages to appreciate.
3.The answer is "A. space age".
Space age is one of the factor which influenced the Doo-Wop movement. Design amid that time was impacted by the closure of World War II, the space age, consumerism, music, social liberties, and the accessibility of new materials.
4. The answer is "B. Eames".
Buyers purchase items without thinking about any of its procedure cycle, from the beginning of its creation to the end life. Among the numerous items in this world, the Eames shaped fiberglass chairs is one of the celebrated seat in furniture plan. Charles and Ray Eames proceeded with their look for an alternate material for the shell of their chair.
5. The answer is "B. furniture design".
As key figures in the development of modern design, Charles and Ray Eames conveyed a freshness and purposefulness to furniture outline. Although known as considerably more than basically furniture creators, the Eames were particularly powerful in the furniture business—their manifestations keep on living on as delegate bits of their opportunity.
Jean-Antoine Watteau is the founder of the French Rococo style of painting.
When <span>Jean-Antoine Watteau </span>submitted the piece "<span>The Embarkation for Cythera" from 1717 </span>to the Royal Academy of Painting, the Academy was so impressed that it created a new category of subject matter to accommodate the painting.
