Answer:
By Andy Goldsworthy
Explanation:
The sculpture was made by Andy Goldsworthy, a British sculptor.
Answer:
setting goals for the group
Explanation:
if your the one seeking the help then you can not set goals for others when you yourself has no goals.
Answer:
Impressionism, in music, a style initiated by French composer Claude Debussy at the end of the 19th century. The term, which is somewhat vague in reference to music, was introduced by analogy with contemporaneous French painting; it was disliked by Debussy himself. Elements often termed impressionistic include static harmony, emphasis on instrumental timbres that creates a shimmering interplay of “colours,” melodies that lack directed motion, surface ornamentation that obscures or substitutes for melody, and an avoidance of traditional musical form. Impressionism can be seen as a reaction against the rhetoric of Romanticism, disrupting the forward motion of standard harmonic progressions. The other composer most often associated with Impressionism is Maurice Ravel. Impressionistic passages are common in earlier music by Frédéric Chopin, Franz Liszt, and Richard Wagner, and in music by later composers such as Charles Ives, Béla Bartók, and George
Explanation:
While a great part of Europe was under the Industrial Revolution, the British movement Arts and Crafts proposed a return to the creative handcraft, rethinking our esthetic and social relation with objects. Stores were filled with items that were mass-produced by industry. The design and the personal relation between artisans and their work was lost, while consumers have been induced to by ordinary objects.
In 1888, a board of theorists and critics formed the Arts and Crafts Exhibition Society. Society has promoted many publications about the artistic value of the crafts and the importance of their esthetics. They also organized exhibitions where artists/craftsmen could expose and debate the role of objects. William Morris and his daughter May, Walter Crane, T.J. Cobden-Sanderson, Ford Madox Brown, Henry Wilson, among others, were the main members of the movement and the society.
Morris was the most active and also the most complete artist of that movement. He had designed objects and graphics but also had an expressive production in architecture. His esthetics were responsible to inspire many other movements that were reclaiming the role of art per se. His constructions were considered the first examples of modern architecture that giving its first steps. The Art Noveau considered one of the avant-guard movements had inspired Morris’ architecture.
But the apex of Arts and Crafts legacy was the adoption of the Society beliefs in a modern school of arts. During the 1920s, the German School Bauhaus, in Dachau, gathered artists to teach modern art, design and architecture using the Arts and Crafts beliefs, mainly the one that claims the esthetic experience an object can offer.
