The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking and video production. Several cameras—either film or professional video cameras—are employed on the set and simultaneously record or broadcast a scene. It is often contrasted with single-camera setup, which uses one camera.
Generally, the two outer cameras shoot close-up shots or "crosses" of the two most active characters on the set at any given time, while the central camera or cameras shoot a wider master shot to capture the overall action and establish the geography of the room. In this way, multiple shots are obtained in a single take without having to start and stop the action. This is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent in film or video editing. It is also a virtual necessity for regular, high-output shows like daily soap operas. Apart from saving editing time, scenes may be shot far more quickly as there is no need for re-lighting and the set-up of alternative camera angles for the scene to be shot again from the different angle. It also reduces the complexity of tracking continuity issues that crop up when the scene is reshot from the different angles. It is an essential part of live television.
Drawbacks include a less optimized lighting which needs to provide a compromise for all camera angles and less flexibility in putting the necessary equipment on scene, such as microphone booms and lighting rigs. These can be efficiently hidden from just one camera but can be more complicated to set up and their placement may be inferior in a multiple-camera setup. Another drawback is in film usage—a four-camera setup will use (depending on the cameras involved) up to four times as much film (or storage space for digital) per take, compared with a single-camera setup.
While shooting, the director and assistant director create a line cut by instructing the technical director (or vision mixer in UK terminology) to switch between the feeds from the individual cameras. In the case of sitcoms with studio audiences, this line cut is typically displayed to them on studio monitors. The line cut might be refined later in editing, as often the output from all cameras is recorded, both separately and as a combined reference display called the q split. The camera currently being recorded to the line cut is indicated by a tally light controlled by a camera control unit (CCU) on the camera as a reference both for the actors and the camera operators.
Answer:
After The Storm by Kali Uchus
Bubblegum by Clairo
Come As You Are by Nirvana
Borderline by Tame Impala
On The Level by Mac DeMarco
Explanation: :)
Answer: i believe its the bucket fill tool
Explanation:
hope this was of help :)
In terms of art, an unresponsive viewer may be one who is
not moved nor inspired by a certain piece of art or literature. He or she may not be interested in the genre
or maybe fail to grasp the essence or the meaning of what the piece is trying
to convey.
Your correct answer is:
A.True
Because:
(not my words taken from a source)
"<span>In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane.
This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it."
"</span><span>Ultra wide angle lenses have a focal length shorter than the short side of the film or sensor.
In 35 mm, an ultra wide-angle lens has a focal length shorter than 24 mm. Common wide-angle for a full-frame 35 mm camera are 35, 28, 24, 21, 20, 18 and 14 mm, the latter four being ultra-wide."
Hope this helped!
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