Answer:
Yes, they do. The setting, of course, reflects the uncivilized, scary practices of General Zaroff on the island itself. This is a wild and dangerous place; the setting alone would strike fear into the hearts of most regular people. However, Rainsford manages to show his stuff early on in the story by...
C) Pitchers threw at his head.
This line "Pitchers through at his head." uses the incorrect "through". This "through" means to go in and out of something, like a doorway. I walked through the doorway into the other room. The sentence needs the "threw" that means to take an object with your hand and propel it to another location. Threw is the past tense of the word throw. It is an irregular past tense verb, so it doesn't follow the rule of adding /ed/ to create past tense.
Answer:
lay
Explanation:
lay is the correct verb because you are putting your head on the throw pillow
While both have to very different meanings, both have a definition of meaning something small (alley - small passage, pony - small horse, pour, or amount of money). Both are 6 letters, but when made plural, are spelling differently (alleys - just add s, ponies - drop the y, add ies). Both are Latin in origin, changing letter to French. But alley is late middle English, with pony being from the mid 17th century.
The Balinese production of The Tempestuses shadow puppetry to display an interpretation of William Shakespeare’s famous work. This alternative form of performance focuses more on the fluidity, or sharpness, of the characters’ movement. When analyzing Ariel in this form, it is very apparent that her actions are very projected compared to other characters, by the excess movement of her arms and fingers. However, this projection is shown not with velocity in motion, but with a very smooth complexion in Ariel’s movement. This emphasizes the fragility of her character by connecting her to something very easily tampered with, like the smoothness of still water, that changes with something even as soft as a breeze. The Balinese play also uses the clever technique of utilizing their lighting as a form of portraying Ariel’s character, by physically moving the actor towards and away from the light in order to change the size of the shadow shown. This was well utilized by not only Ariel, but the entire Balinese cast. When Prospero manipulates Ariel into believing that her deed was an act of gratitude for releasing her from her imprisonment, the cast makes Prospero noticeably larger in size and Ariel noticeably smaller. This adds dynamic contrast to the characters and allows the audience to view Ariel as much more timid and frail, as well as Prospero much scarier and evil.
