Answer:
The rules of inference are;
1. Universal Instantiation
2. Double negation law, or forming the Contra-positive and
3. Modulus tollens
Explanation:
In universal instantiation, an inference is made of the truth of each member of a class, and this is then used to establish the truth about a particular member off the class. For all of a class q, if the class q, is a girl, then the class q, is not a boy. Applying it to the example, If Manhattan is a man, then Manhattan is not an Island. We now form the contra-positive thus; If Manhattan is an island, then Manhattan is not a man.
Modus tollens is then applied in the last sentence to show that the conditional statement was accepted, the consequent statement was not true, and so the negative of the antecedent can be inferred. So, we conclude that Manhattan is not a man.
Answer:
Like lines, there is no set length to a stanza or an insistence that all stanzas within a poem need be the same length. However, there are names for stanzas of certain lengths: two-line stanzas are couplets; three-lines, tercets; four-lines, quatrains.
Explanation:
The best answer for me would be ‘D’ because you need to make an actual physical document that outlines the procedure for something so it would be better to do research on the topic to understand how to write the procedure. I hope this helps
Answer:
D) CLIMBERS
Explanation:
The closure of the guiding industry would irritate many people, especially Sherpas, as this would create a very high unemployment rate which would decrease the country's income. However, another group would be highly irritated, the climbers, who were strong customers in this industry and who would be harmed unfairly and obviously unsatisfactory, just like all other customers and suppliers.
<h2>These six words were written by Ernest Hemingway, Arthur C. Clarke, or The Spokane Press doesn’t really matter. It’s a premier example of everything fiction’s shortest form can do.</h2>
<h2>In a world of novels, essays, and short stories, flash fiction is underdog prose. Scarcely discussed and often poorly defined, it becomes that much more exciting, edgy, and experimental. Twist endings and sudden violence are hallmarks of the form, where just six words can allude to the tragic death of a child.</h2>
<h2>Flash fiction is dangerous — it asks the writer to surrender all safety nets and let a mere smattering of sentences speak for themselves. But it can also be extremely rewarding, if done right. Before we get into that, however, let’s gauge what it actually is.</h2>
<h2>Mark me as brainliest ❤️</h2>