Answer:
C. Acombination of spices and herbs used to cover food
Explanation:
Pretty sure it's ballad. Although I've never heard of a chorale before :/
Explanation:
Relief sculpture was introduced to the United States by Italian sculptors working on the decoration of federal government buildings during the first quarter of the nineteenth century. Exposure to this art form continued during the next several decades as American sculptors flocked to Italy, a font of artistic tradition and the primary source of inexpensive marble and labor. Thomas Crawford, William Henry Rinehart (1985.350), Edward Sheffield Bartholomew (1996.74), and other American artists built their reputations by producing idealized in-the-round statues for an international clientele while executing portrait busts for steady income. They modeled reliefs less frequently, usually focusing on ideal subjects. They looked not only to the classical past for inspiration but also to Neoclassical sculptors, especially Antonio Canova and Bertel Thorvaldsen, whose crisply treated reliefs enjoyed great esteem in both Europe and the United States
source : https://www.metmuseum.org/toah/hd/amrs/hd_amrs.htm#:~:text=Relief%20sculpture%20was%20introduced%20to,quarter%20of%20the%20nineteenth%20century.
Answer:
Forget the association of the word "Gothic" to dark, haunted houses, Wuthering Heights, or ghostly pale people wearing black nail polish and ripped fishnets. The original Gothic style was actually developed to bring sunshine into people's lives, and especially into their churches. To get past the accrued definitions of the centuries, it's best to go back to the very start of the word Gothic, and to the style that bears the name.
The Goths were a so-called barbaric tribe who held power in various regions of Europe, between the collapse of the Roman Empire and the establishment of the Holy Roman Empire (so, from roughly the fifth to the eighth century). They were not renowned for great achievements in architecture. As with many art historical terms, “Gothic” came to be applied to a certain architectural style after the fact.
