Answer:
adjective
1.
all of; entire.
"he spent the whole day walking"
Similar:
entire
complete
full
total
unabridged
full-length
uncut
uncondensed
unexpurgated
unreduced
undivided
Opposite:
partial
incomplete
2.
in an unbroken or undamaged state; in one piece.
"owls usually swallow their prey whole"
Similar:
intact
in one piece
sound
unbroken
unimpaired
undamaged
unharmed
unhurt
untouched
uninjured
unscathed
unmutilated
inviolate
flawless
faultless
unmarked
unspoiled
perfect
mint
pristine
Opposite:
in pieces
broken
noun
1.
a thing that is complete in itself.
"the subjects of the curriculum form a coherent whole"
Similar:
entity
unit
body
piece
discrete item
ensemble
In these lines, Laertes talks about the warming of the sickness in his heart. This refers to the rage he feels for Hamlet as he hopes to execute his revenge on him.
<h3>What is Imagery?</h3>
- Imagery is the use of words that appeal to any of the human senses. It also paints a picture in the mind of the reader.
- In the story, No Fear by Shakespeare, we learn about Laertes' desire to kill Hamlet. This stems from his belief that Hamlet killed his father. Heis urged on by Claudius who encourages him to take this action.
Imagery was used when he refers to his thirst for revenge as the sickness in his heart.
Learn more about imagery here:
brainly.com/question/25938417
Answer:
There are many poetic devices in this poem which add to its effect. In the opening line, we see an example of internal rhyme, where two words within the same line—here "showers" and "flowers"—rhyme with each other. We see this technique repeated in later lines, such as "the flail of the lashing hail." On all occasions, this feature draws attention to the line and helps create a mental picture. Other sound devices in the poem include alliteration ("seas and the streams", "wield . . . whiten") and assonance ("laugh as I pass").
The speaker in this poem is the titular cloud; the personification of the cloud relates to the Romantic idea of pathetic fallacy, where the behavior of nature imitates or reflects the feelings of those who exist in nature. There are other examples of personification in the poem, such as when the "great pines groan aghast" as the wind sifts snow onto the mountains. An extended personification such as the one in this poem is a form of metaphor: the wind does not really have "wings," nor are the "sweet buds" "rocked to rest on their mother's breast." In the context of the poem, however, the whole of nature is imagined as if it had human attributes.
Repetition and anaphora are also used in this poem to emphasize the sheer reach of the cloud—"Over earth and ocean," "over the rills, and the crags," "over the lakes and the plains," the Cloud is moved by his "pilot," another metaphor which refers to God. The "pilot," so named because he has plotted the course for the cloud to follow, helps the cloud to move "wherever he dream," and naturally, because the pilot is God, the extent of those dreams has no end.
Explanation:
