The third option, C, seems correct to me. This is because in Dylan Thomas' poem, it symbolizes night as death and light as life. Using poetic devices, he talks about his father who is on the verge of death (night) but should still defy his fate by clinging onto life (light) so that he doesn't go gentle into death.
Let me know if you need anything else. :)
- Dotz
Nothing Gold Can Stay was the reflection of the seasonal cycle of nature. The poem though a short one symbolizes what a Mother Nature cannot hold for long the 'Gold' but respects its value/worth.
Explanation:
In this poem, Robert Frost brings out the deep meaning of how few things that are of high value/worth are not treated properly/not respected for their worth. He talks about how Nature (In the poem, he keeps referring it as 'Her') being the Mother of all subjects on Earth.
He starts explaining about the season with a leaf, its color and how it slowly transforms into a bud, turns into a flower and then eventually, a fruit. This cycle, Frost writes in the most metaphorical way for readers to understand what we need to take an advantage of and what we must value, accordingly.
This poem is a classic example of how humans forget what is worthy as we can find it everywhere and look out for things that we do not have in our surroundings.
Answer:
I would say Part B? idk lucky guess
The excerpt from “Ballad of Birmingham” by Dudley Randall which is an example of sensory imagery is <u>“brushed her night-dark hair.”</u>
“Ballad of Birmingham” by Dudley Randall is a poem which is a conversation between a mother and daughter about a 'Freedom March' which will be happening on the streets of Birmingham. The daughter wishes to attend the march but her mother restricts her to go there and tells her about the dangers of going there. Instead, she sends her daughter to Church which is a safe place. But unfortunately, a bombing happens in the church in which the mother finds her daughter dead. She falls prey to the act of racism.
The line“brushed her night-dark hair” appeals to both the sense of touch and sight in the poem.
