I don't know the answer but its defiantly not c.but i think it might be B because the word flamboyant comes from the french word flambe or flame.
Answer:
Third and fourth movement
Explanation:
Beethoven was a German composer, considered one of the most influential classical music composers in the world. He has a vast work (about 200) of excellent technical and artistic quality.
He composed sonatas, symphonies, concerts, quartets, operas, being the “Opera Fidelio”, considered one of his remarkable creations. His works are marked by strong expressive, tragic, burlesque, idyllic, romantic and sentimental content,
In Beethoven's ninth symphony, considered by many to be the largest musical composition in history, between the third and fourth movements, the musician decided to use extreme dynamic contrast as an eruption, resulting in the highlight of the triumph over the fight that many heard in this symphony.
What is your peice? I can help you but I just need to know what it is !
A slow tempo dignified in style
Lighting has come to be an important component of cinema's visual design. It is widely recognized that in film, as elsewhere, it can create a substantial emotional impact. A primordial response to darkness and light is a deep-seated element of human psychology that filmmakershave harnessed in order to influence the ways viewers respond to narrativedevelopment. On the one hand, deep shadows can make a character seem untrustworthy or conceal a host of horrors. On the other, bright, diffused lighting can provide comfort and reassurance or create the impression of an angelic countenance. Extremely bright light can cause discomfort, though, and can even be used as a weapon, as inRear Window(1954) andThe Big Combo(1955), where it dazzles the villains and halts their advance.
Brightness is only one variable of lighting that can contribute to the effect of a scene. The choices the cinematographer makes about what kinds of lights will be used, how many there will be, and where they will be placed all require careful consideration. Moreover, color andblack-and-white cinematography each allows for different lighting effects. Colored lighting can give rise to a range of subjective impressions that may be systematically used throughout a film for atmosphere, as in the moody and heavily stylizedBatman(1989), or for metaphorical significance, as inVertigo(1958) when Scottie (James Stewart) persuades Judy (Kim Novak) to transform her appearance into that of the dead Madeleine (Novak). When she emerges from her bathroom made over into Madeleine's image, she is bathed in a green light, its supernatural associations accentuating theuncanniness of the resurrection of her alter ego.
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