I believe the correct answer would be B., bc it is asking the reader a question, trying to get them to think further into the meaning.<span>
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This is a delightful and witty short story with that very Russian sense of the surreal combined with satire, that one sees in Bulgakov's writings (Bulgakov was an admirer of Gogol's work). I could go into all sorts of linguistic and psychological analysis of the symbolism of a man losing his nose, or I probably could if I knew Russian. But I suspect that rather misses the point. As the story says: Nonsense really does occur in this world, and, sometimes, nonsense altogether without an element of plausibility. I do not know what you can compare it with. Have you got any options? I think that you can get help with it if you check i tat the professional site. Prime Writings is the site with interesting blog on essay writing.
Answer:
The playwrights skill at condensing a story that may span many days or years of chronological time into a theatrical time frame is called compression.
Answer:
I'd say fate vs. free will
Explanation:
Answer:David O. Selznick and Louis B. Mayer
David O. Selznick, son of silent-movie producer Lewis Selznick, was already on his way through the ranks of new-to-talkies Hollywood when, in 1930, he forged the greatest union of Hollywood families in history by marrying Louis B. Mayer’s daughter Irene. Selznick had left MGM for Paramount and then RKO when he returned to work with his father-in-law at MGM in 1933, given a job as vice president and head of his own production unit at the studio. By then, Mayer was one of the most powerful studio heads in Hollywood, overseeing “more stars than there are in heaven.” In 1927, Mayer amassed 36 founders from various parts of the film industry to create the Academy of Motion Picture Arts and Sciences—the organization responsible for the Academy Awards. The guidance of his father-in-law at MGM paid off for Selznick when he left in 1935 to head up his own independent studio, Selznick International Pictures, which produced the likes of A Star Is Born (1937), Rebecca (1940), and (adjusted for inflation) the highest-grossing film of all time, Gone with the Wind (1939). His son Daniel Selznick became a film producer as well.
Explanation:
