Answer:
i dont know the whole queshtion but the awser i think to be suteable is to be as detail as possible and discribe bright colers people like that
Explanation:
thank you hope this helps
1. Epic poems are usually long.
2. Epic poems are about long and exciting journeys.
3. Epic poems are divided into books.
4. Epic poems do not follow a particular rhyme and meter.
This first statement contains characteristics of epic poems, as they are long narrative poems, they are literary works made with oral and written compositions from ancient times. Some examples are Gilgamesh and The Odyssey. It's usually an extensive and prolonged narrative in verse as it's a genre of poems.
The second statement contains one of the most important characteristics of epic poems, they told the journey of the hero with very fantastic features, they have incredible physical and mental traits. So this journey is often long as they conquer many dangerous situations in order to achieve their goal.
The third statement is another characteristic of epic poems, they are very long so they are divided into books. Usually, a single epic is divided into multiple books. One example is Homer's epics divided into 24 books.
And the final statement depends on the literary work that we are talking about. Epic poems were written in a formal, elevated style. They were sublime and with universal significance. They don't have a particular rhyme scheme. But when we are talking about the Odyssey and the Iliad they use a primary meter of Greek and Roman poetry know as <em>"dactilyc hexameter"</em> but without a rhyme scheme. So we can say that epic poems don't follow a particular rhyme but in some cases, they follow a particular meter.
Chances are that NASA's own website would be the best. That's about as primary of a source as you would find, and would also be more up-to-date than A would be.
Answer:
The phenomenon of 'Keeping up with the Joneses' is a distinctly American concept because it refers to a capitalistic mindset and the American society is wealth orientated and strives toward acquisition of material things.
Explanation:
Today society judges itself based on physical appearances and possessions.
In Yolen's spellbinding twist on the Round Table legend, Morgause feels that her 17-year-old son Gawaine belongs on the throne of England. As she attempts to install him there, she tangles with both the court wizard and Gawaine himself. The author makes Gawaine the emotional lynchpin of the story; he mistrusts his mother and is wholly devoted to the only slightly older King Arthur. Portrayed here as the North Witch, Morgause detests Arthur (her half-brother, according to Arthurian lore), who she feels has usurped the throne. Morgause sends three of Gawaine's brothers back with him to Arthur's court under a diplomatic pretext, and Merlinnus, learning that one of Morgause's sons intends to assassinate Arthur, manufactures the tale of a sword lodged in a block of stone (which, of course, will prove Arthur's fated place upon the throne to a kingdom that has yet to fully embrace him). Yolen constructs a fascinating history linking Morgause to Merlinnus, and breathes fresh life into well-established characters; their encounters crackle with the vitality of overheard conversations. The dynamic between Merlinnus and Arthur is especially well realized: the former a shrewd, resourceful, fatherly man battling the discomforts of age, the latter a restless young king who merely tolerates the mundane responsibilities of monarchy ("Arthur had never met a chair he liked. Or a sport he disliked"). Yolen has explored Arthurian legend before, but her latest foray is a standout in this enormous canon. Ages 12-up. (May)
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