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While separate from the body of work preceding it due to the nature of an epilogue, it is an integral part of the work. It provides resolution to an otherwise unresolved piece, and the piece actually prepares for the epilogue by mirroring it throughout the play.Throughout the play, themes of power and magic develop, complementing each other so that ultimately, the nature of Prospero’s power can be either revered, or reduced to smoke and mirrors. Prospero’s power to administer pain gives him control over Ariel and Caliban. However, with many of the other characters, control is gained by illusions – sometimes pleasant, and sometimes upsetting. Prospero makes Ferdinand follows Ariel’s music’s “sweet air,” but he confounds Caliban, Stephano, and Trinculo by adding a faceless voice, which disturbs them, and makes them quarrel. Prospero doesn’t actually make anyone do anything; he appeals to their senses in either a positive or negative way, and their response to these sensations brings about an action Prospero required. However, by the play’s end, it is never resolved whether Prospero had any real power, or was simply manipulative enough to get what he wanted. This will be resolved in the epilogue.The epilogue is a monologue delivered by Prospero.
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D- Refusing to testify against oneself in court.
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question 1. is true
question 2. is false
question 3. is b, I think
question 4. is a
question 5. is b
Explanation:
I'm not 100% sure on number 3 tho, idk
When Jem gives Miss Maudie his sympathies for the loss of her house, she says, "Always wanted a smaller house, Jem Finch. Gives me more yard. Just think, I’ll have more room for my azaleas now!"<span>
She tells Jem and Scout that she'll be able to have a bigger yard which means more room for the plants she loves to tend. She also calls her old house a cow barn and says that she had thought of burning it does herself.
Miss Maudie's reaction to her house being burnt down furthers her likable character. Her character is one of the mother figures for Scout and Jem since their mother is gone. Throughout the book, she is able to look on the bright side of things and is more accepting of others than most of Maycomb.
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