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OverLord2011 [107]
3 years ago
12

What influences did these groups have on modern Latin America??

History
2 answers:
MrRa [10]3 years ago
7 0

Answer:u9u9uyyyyyyyyyyggvhgyou smeel mark brainy

8999y8y

Explanation:9i988gyg7gjhgvg7ghyg78oihnhbguyiyohubty7iugyg9ovjbuvggg7

marysya [2.9K]3 years ago
7 0

Answer:

Spain, French, Portuguese

Explanation:

Hope it will help you be happy^_^

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What effects did U.S. foreign policy have on Latin America?
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U.S. foreign policy toward Latin America in the 19th century initially focused on excluding or limiting the military and economic influence of European powers, territorial expansion, and encouraging American commerce. These objectives were expressed in the No Transfer Principle (1811) and the Monroe Doctrine (1823). American policy was unilateralist (not isolationist); it gradually became more aggressive and interventionist as the idea of Manifest Destiny contributed to wars and military conflicts against indigenous peoples, France, Britain, Spain, and Mexico in the Western Hemisphere. Expansionist sentiments and U.S. domestic politics inspired annexationist impulses and filibuster expeditions to Mexico, Cuba, and parts of Central America. Civil war in the United States put a temporary halt to interventionism and imperial dreams in Latin America. From the 1870s until the end of the century, U.S. policy intensified efforts to establish political and military hegemony in the Western Hemisphere, including periodic naval interventions in the Caribbean and Central America, reaching even to Brazil in the 1890s. By the end of the century Secretary of State Richard Olney added the Olney Corollary to the Monroe Doctrine (“Today the United States is practically sovereign on this continent and its fiat is law upon the subjects to which it confines its interposition . . .”), and President Theodore Roosevelt contributed his own corollary in 1904 (“in the Western Hemisphere the adherence of the United States to the Monroe Doctrine may force the United States, however reluctantly, in flagrant cases of wrongdoing or impotence, to exercise an international police power”). American policy toward Latin America, at the turn of the century, explicitly justified unilateral intervention, military occupation, and transformation of sovereign states into political and economic protectorates in order to defend U.S. economic interests and an expanding concept of national security.

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It could be said that “History is what the present chooses to remember about
Masja [62]

Since we don't know which movie is being referred to, let's talk generally about the relationship between history and cinema.

The present influences every historical production. There is an influence of the present on historiographical works -- that is, history produced by and for historians, academics -- as there is on movies, fiction books, tv series, etc.

However, historians are aware of this since the first moment of their studies, so they are trained to seek detachment from the present in order to avoid a biased view of the past. But the present is always a strong force and neutrality is impossible. Thus the most plausible way to follow on historical research is to make clear how the present shows in the work, how it guided questions, and turn it into a tool to understand the past.

When we talk about a movie this is different. A historical movie is a different kind of medium -- it's not a paper published after other historians' approval -- and has a different kind of audience than historical research. So it doesn't have the same space to make it explicitly clear how the present influences it; it can not put a footnote when it's portraying historical events and figures so the viewer can check things on his/her own. When we watch a movie we don't have access to sources utilized and on which historiographical line the movie production based its story.

Following from this, basically, you have three possible conclusions:

1) Movies don't improve the viewer's understanding because it is difficult to check if the movie production utilized reliable sources and bibliography. It could portray historical events with absurd analysis, make whopping anachronisms, which doesn't lead to a qualified understanding of history.

2) Movies improve the viewer's understanding of history because, despite analytical errors and anachronisms, it contributes to spread knowledge about the past that can be later improved through qualified studying by the viewer. It can be said movies have an important role in disseminating a historical culture that can be healthy for societies.

3) Movies can improve as much as they can damage serious historical knowledge and the understanding of history. If they are based on qualified historiography they can be important diffusers of a healthy historical culture that helps society to think and rethink its past, present, and future. However, if they spread poor historical knowledge, they can make it hard for good quality history to gain headway.

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