1. license, height, weight
2. preliminary, parliament, favour
3. writing, illegible
4. likely, lieutenant,
5. library, original, manuscript,
6. spaghetti, majority,
7. incidentally, decided, competition,
8. probably, unnecessary, message, paragraphs,
9. athletes, gymnasium,
10. incredible, acknowledged, appreciated
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
Answer:
Fear is a natural response for most people when responding to danger. Although, healthy fears can turn into unhealthy fears, which can lead to dangerous and violent behaviors.
Explanation:
A video is type of visual aid would best serve his purpose
Explanation:
Out of the possible options, a video is best suited to show chronological development as it works i the phases of time to show the development.
<u>Videos are also very engaging and can convey a lot of information without putting any strain on the viewer to interpret the information for themselve</u>s. They can often just sit back and let the information be taken in.
Chronologically, one can develop a good narrative in videos to convey their point in a presentation.
Private property can help to - (A) encourage people to keep their property clean and neat .
I think this is the right one.
