The correct answer is Geometric.
What are geometric shapes?
Any building, whether open or closed, with a specific shape and characteristics composed of lines, curves, and points is referred to as a geometric shape. Square, rectangle, circle, cone, cylinder, sphere, and so on are a few examples of well-known geometric shapes. Each of these shapes has some characteristics that set them apart from other shapes.
An object or shape in geometry is referred to as being open if it is not joined at both ends. When an object or a form is connected with both ends it is considered a closed geometric shape.
There are two categories of geometric shapes:
- Two-dimensional: These are 2D shapes that have only the x-axis and y-axis. They are two-dimensional, flat constructions. For example, triangle, square, rectangle, etc.
- Three-dimensional: These are three-dimensional (3D) shapes that have x, y, and z axes. The height of the object is represented by the z-axis. They are three-dimensional, solid formations. such is cube, cuboid, etc.
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Answer:
The sauce
Explanation:
bc i've done it before lm.ao
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
<span>The first C.D. was released in 1877 after the phonograph.</span>
