<span> <em /> <em />I<em> </em>belive </span>
caricatures of his teachers
it reflects the artists personal thoughts about mortality
Answer:
All of the above
Explanation:
In general, style indicates a group of characteristics that allow us the identification of the art produced in <em><u>a given historical period (medieval style, for example), in a region (the French style), by a group of artists (Fauvism), a single artist (Michelangelo's style) or a phase in his career (Beethoven's three phases) of an aesthetic current (neoclassical style)</u></em>, and allow to relate a work to its origin.
Between 1200 and 400 B.C., the Gulf Coast states of Veracruz and Tabasco in Mexico were the setting for a major cultural and artistic florescence among peoples now collectively known as Olmec, named after the Aztec word for the region (Olman, “place of rubber”). Olmec art is best known for colossal sculpture in volcanic stone and intricate works in jade, both media that were imported from faraway regions. Olmec artists were revolutionary for their time, establishing the first major widespread styles in Mesoamerica, laying the foundation for later innovation from the central Mexican metropolis of Teotihuacan south to the Maya area.
After the spread of maize agriculture in the Early Formative period (ca. 1800–1200 B.C.), people in the river valleys of Olman cooperated to construct monumental earthen platforms and mounds at the site of San Lorenzo, Veracruz. More research is needed to know about the society at San Lorenzo: for example, what they ate, where they lived, what they believed. They shared the common goal to invest in major building projects, engineering structures and creating large gathering spaces that transcended the functional needs of daily life. Evidence from the nearby site of El Manatí demonstrates that people were creating sculptures out of wood and stone early in San Lorenzo’s history. Rubber balls found at El Manatí are also some of the earliest evidence for the importance of a ballgame to Olmec peoples.
