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mixer [17]
2 years ago
13

What was Shakespeare’s view on love and marriage

Arts
1 answer:
Lena [83]2 years ago
7 0

Answer:

William Shakespeare doesn't have one specific feeling for love. In his plays, he thinks that love can be unfair, confusing, crazy, unpredictable, and uncontrollable. The classic romance that everyone thinks about in Romeo and Juliet. Married life, as Shakespeare habitually represents it, is the counterpart, mutatis mutandis, of his representation of unmarried lovers. His husbands and wives have less of youthful abandon; they rarely speak of love, and still more rarely with lyric ardor, or coruscations of poetic wit.

Explanation:

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In how many musical contexts can the theremin be used for?
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Answer:

here you go

Explanation:

The theremin is a monophonic instrument; which is to say, it can only produce one pitch at a time. It has about a five-and-a-half octave range. Its low range can sound like a cello or string bass, mid range to upper range can be vocal-like and the top end is brilliant and piercing.

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2 years ago
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Describe some of the legal and ethical obligations Andrew Maynard Architects may have considered when designing the Hill House
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Australian architect Andrew Maynard had to rethink the organisation of spaces in a home to the north of Melbourne. The family that commissioned the renovation project had already added extensions onto the home, building an additional level that blocked out the daylight for a number of parts of the house and the garden. The problem was that the land in the neighbourhood had been divided up into very small lots, and the family's three children made this final renovation necessary.

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2 years ago
What is Battleship Potemkin?
podryga [215]

The Russian navy in the year of the abortive revolution of 1905 still preserved the harsh conditions and brutal punishments of an earlier age. The Potemkin was a new battleship of the Black Sea fleet, commissioned in 1903, with a crew of 800. It was not a happy ship and some of the crew harboured revolutionary sympathies, in particular a forceful young non-commissioned officer named Matyushenko, who took a leading part in what followed. At sea on June 14th (June 27th, Old Style), the cooks complained that the meat for the men’s borscht was riddled with maggots. The ship’s doctor took a look and decided that the maggots were only flies’ eggs and the meat was perfectly fit to eat. Later a deputation went and complained to the captain and his executive officer, Commander Giliarovsky, about worms in their soup. Their spokesman was a seaman named Valenchuk, who expressed himself in such plain language that  Giliarovsky flew into a violent rage, pulled out a gun and shot him dead on the spot. The others seized Giliarovsky and threw him overboard. As he floundered in the water he was shot and killed.

Others of the crew joined in. The captain, the doctor and several other officers were killed and the rest of the officers were shut away in one of the cabins. The Potemkin hoisted the red flag and a ‘people’s committee’ was chosen to take charge. The chairman was Matyushenko.

The ship made for the port of Odessa, where disturbances and strikes had already been going on for two weeks, with clashes between demonstrators, Cossacks and police. The trains and trams had stopped running and most of the shops had closed. People began to gather at the waterfront after the Potemkin arrived in the harbour at 6 am on the 15th. Valenchuk’s body was brought ashore by an honour guard and placed on a bier close to a flight of steps which twenty years afterwards would play an immortal and immensely magnified role in the famous ‘Odessa steps’ sequence of Sergei Eisenstein’s film. A paper pinned on the corpse’s chest said, ‘This is the body of Valenchuk, killed by the commander for having told the truth. Retribution has been meted out to the commander.’  

Citizens brought food for the seamen and flowers for the bier. As the day wore on and word spread, the crowd steadily swelled, listening to inflammatory speeches, joining in revolutionary songs and some of them sinking considerable quantities of vodka. People began looting the warehouses and setting fires until much of the harbour area was in flames.

Meanwhile, martial law had been declared and the governor had been instructed by telegram from Tsar Nicholas II to take firm action. Troops were sent to the harbour in the evening, took up commanding positions and at about midnight opened fire on the packed crowd, which had no escape route. Some people were shot and some jumped or fell into the water and drowned. The sailors on the <span>Potemkin </span>did nothing. The casualties were put at 2,000 dead and 3,000 seriously wounded.

Calm was quickly restored and Valenchuk was allowed a decent burial by the authorities, but the sailors’ demand for an amnesty was turned down and on June 18th the <span>Potemkin </span>set out to sea. The crew were hoping to provoke mutinies in other ships of the Black Sea fleet, but there were only a few minor disturbances, easily put down. The mutineers sailed west to the Romanian port of Constanza for badly needed fresh water and coal, but the Romanians demanded that they surrender the ship. They refused and sailed back eastwards to Feodosia in the Crimea, where a party landed to seize supplies, but was driven off. The <span>Potemkin </span>sailed disconsolately back to Constanza again, and on June 25th surrendered to the Romanian authorities, who handed the ship over to Russian naval officers.

The incident had petered out, though it caused the regime serious alarm about the extent of revolutionary feeling in the armed forces. Its most lasting legacy was Eisenstein’s film, The Battleship Potemkin, (1925) and a riveting essay in propaganda rather than history.

More by Richard Cavendish

<span>- See more at: http://www.historytoday.com/richard-cavendish/mutiny-potemkin#sthash.4pshxeIk.dpuf</span>

I am not taking credit for this passage pleas don't report.

<span />
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I just got a new sketchbook, how do these look?
olga55 [171]

Answer:

Explanation:

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2 years ago
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Music is the most abstract of all art forms. It means it is the least related to our real visual or...
k0ka [10]

Answer:

It is through art that we can communicate to the world our inner feelings and our creativity that only exists within our mind. Art has many forms; from visual arts to performing arts. Many great civilizations and cultures are perceived to be great because they were advanced in the arts. The strength and culture of an entire nation or civilization rests upon how rich the art of that particular country or civilization is. There are different forms of art like painting, sculpture, literature, architecture, music, dance, theater, photography and films. Whatever form of art we see, its main characteristic is that it is pleasing to the senses. It expresses the feelings and emotions of the artist and it can be interpreted in different ways by different people. Any type of art, essentially tells a story. It is a form of communication with another human being that is indirect but deeply profound. Art has a tendency to deeply move our souls and most masterpieces that we see in museums are a silent testimony to that.

Explanation:

Music, art concerned with combining vocal or instrumental sounds for beauty of form or emotional expression, usually according to cultural standards of rhythm, melody, and, in most Western music, harmony. Both the simple folk song and the complex electronic composition belong to the same activity, music. Both are humanly engineered; both are conceptual and auditory, and these factors have been present in music of all styles and in all periods of history, throughout the world.Music is an art that, in one guise or another, permeates every human society. Modern music is heard in a bewildering profusion of styles, many of them contemporary, others engendered in past eras. Music is a protean art; it lends itself easily to alliances with words, as in song, and with physical movement, as in dance. Throughout history, music has been an important adjunct to ritual and drama and has been credited with the capacity to reflect and influence human emotion. Popular culture has consistently exploited these possibilities, most conspicuously today by means of radio, film, television, musical theatre, and the Internet. The implications of the uses of music in psychotherapy, geriatrics, and advertising testify to a faith in its power to affect human behavior. Publications and recordings have effectively internationalized music in its most significant, as well as its most trivial, manifestations. Beyond all this, the teaching of music in primary and secondary schools has now attained virtually worldwide acceptance.

Hope I helped.

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3 years ago
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