Answer:
hope this helps
Explanation:
Writing is a medium of human communication that involves the representation of a language with symbols. Writing systems are not themselves human languages (with the debatable exception of computer languages); they are means of rendering a language into a form that can be reconstructed by other humans separated by time and/or space.[1][2] While not all languages utilize a writing system, those with systems of inscriptions can complement and extend capacities of spoken language by enabling the creation of durable forms of speech that can be transmitted across space (e.g., correspondence) and stored over time (e.g., libraries or other public records).[3] It has also been observed that the activity of writing itself can have knowledge-transforming effects, since it allows humans to externalize their thinking in forms that are easier to reflect on and potentially rework.[4] Writing relies on many of the same semantic structures as the speech it represents, such as lexicon and syntax, with the added dependency of a system of symbols to represent that language's phonology and morphology. The result of the activity of writing is called a text, and the interpreter or activator of this text is called a reader.[5]
Answer:
Ngwalndu are huge, level painted appearances that line within the structure.
In spite of the fact that they are said to be portrayals of genealogical spirits, they can likewise be viewed as adapted ladies' bodies.
In any case, note that painting is a sacrosanct movement for the Sepik individuals, and the works of art of the Sepik individuals are paid attention to very.
Explanation:
The male-ruled tambaran or tambaram culture utilizes the haus tambaran as a gathering house and site for customs and inceptions. It is likewise utilized in revere for the yam faction, the yam being the staple nourishment for the Sepik individuals. The ladies serve fundamentally as preparers of dining experiences, outcasts, and observers. The monster soul, called Nggwal or Ngwalndu among the Abelam and Southern Arapesh people groups, is exemplified as clamors that can be heard originating from the haus tambaran. Nggwal is the essential predecessor divinity, however other social saints are additionally regularly delineated in social and holy expressions.
Romanticism is, by nature, undefinable. ...
Romanticism is the opposite of neoclassicism. ...
Romantic works yearned for the past. ...
Romantic paintings often featured natural disasters. ...
Eugène Delacroix was the leader of French Romanticism.
