James Boswell has generally been regarded as a key figure in the evolution of the biography
via his work on Samuel Johnson. Ranging over his public, published writing, his private-public
unpublished journal writing (read by his friend John Johnston), and his private-private
unpublished writing (his personal journals) this thesis sets out to address how he should also
be seen as a travelogue writer of note. The most important contention is that the rise of Boswell
as a travel writer is key to understanding his prowess as an auto/biographical writer – with the
topography of the man-monument central. The principal aim is to stress that he was ‘Corsica
Boswell’ long before he was ‘Johnson Boswell’. there you go!
Answer:
It can't because plays are more complicated and have many parts and a painting does not. A play can change and make you feel different ways while it's harder for a painting to do the same. They are not the same thing so they are held to different standards.
Because he doesn't want to use his fathers power because of what happened to him and his mom