This is a picture from the Chinese where a woman is sitting in her house on a pillow the methodology of the Chinese is to tell their history of their time and what was going on it appears that the Chinese woman is talking this gives us a visual of what the Chinese would have looked like. ( i took this same test)
Answer:
(B) Classical music’s current meager popularity is attributable to the profusion of other genres of music available to listeners.
Explanation:
The 21st century for classical music presents itself with a profound and complex problem: the acceptance of classical music composed today. Repeating old and accessible buzzwords results in momentary and ephemeral successes. Giving free access to an airtight conception results in contempt. In fact, unlike the early twentieth century, when tumultuous premieres of works such as Stravinsky's Rite of Spring or Parade de Satie even had police intervention, today's public reacts the worst way to a work they don't like: If there is success there is ephemerality If there is a complex thought there is contempt Difficult life of the classical composer of the last 50 years Rudolph Reti (1885-1957), Serbian musicologist and pianist (It was the pianist who debuted the “3 pieces for piano opus 11 ”by Schoenberg”) in his 1956 book “Tonality im modern music” - Collier- NY - has a kind of re He has a different approach to musical aspects, and his term “Pantonality” seems to be very appropriate, since his view, which is not tied to dogmas, is extremely convincing. Far from any kind of ideology we have seen solid and consistent works emerge. Undoubtedly there is something of Pantonal in three great composers of the late twentieth century: Witold Lutosławski (1913-1994), Gyorgi Ligeti (1923-2006) and Olivier Messiaen (1908-1992).
This “pantonal” way of expressing itself, without dogma and shortcuts, seems to guarantee greater perpetuity. At least this is the case of these last three composers I mentioned. I confess that I have reservations about the commercialism and obviousness of contemporary works such as Philip Glass's Symphonies, or even Penderecki's “neo-Bruckner” style, but I see with extreme optimism, for example, the skillful manner in which the Englishman Thomas Adès ( born in 1971) deals with the consonance. The same is true of Frenchman Thierry Escaich (born 1975). His 2012 opera “Claude” is testimony to that.
Once again to paraphrase Schoenberg's phrase, shortening it:“ There is still a lot of good music to be composed. ”Let it be tonal, atonal, serial, pantonal, random, whatever, but good. stylistic design of our time is both fearful and fascinating.
One factor is fear. I think another disorientation and another is not being able to comprehend what just happened.
Hope this helps!
Castiel~
<span />
To play the Fmaj7, start by placing your index on the first fret of the B string. Next, place your middle finger on the 2nd fret of the G string. Finally, place your ring finger on the 3rd fret of the D string. When strumming the Fmaj7, keep your high E string open and do not play the low E and A strings.
Answer:
Natural minor >> WhW, WhWW
Ascending Melodic Minor >> Natural minor with raised 6th and 7th degrees
Major >> WWh, WWWh
Harmonic Minor >> Natural minor with raised 7th degree
Explanation:
Pretty self explanatory, but if you need further help on this, either listen to these examples of the scales, or comment on this answer.