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The analysis of celebrity, celebrities and celebrity culture is one of the growth industries for the humanities and social sciences over the last decade. Psychologists warn us of the dangers of ‘celebrity worship’, sociologists interrogate young people about their personal expectations of fame, and even a discipline with as attenuated a relation to popular culture as literary studies now studies such things as ‘post-colonial celebrity’. The textual richness of celebrity culture is proving irresistible, and so the fetish for textual analysis that dominated so much of the 1980s has found itself right at home in the study of celebrity. But is this what we want from the study of celebrity? What are the approaches that are most needed, and which are likely to be the most productive for those of us in cultural and media studies for whom celebrity has become part of the heartland for the study of popular culture? This article will discuss some of the options, and in particular it will ask how we mThe analysis of celebrity, celebrities and celebrity culture is one of the growth industries for the humanities and social sciences over the last decade. Psychologists warn us of the dangers of ‘celebrity worship’, sociologists interrogate young people about their personal expectations of fame, and even a discipline with as attenuated a relation to popular culture as literary studies now studies such things as ‘post-colonial celebrity’. The textual richness of celebrity culture is proving irresistible, and so the fetish for textual analysis that dominated so much of the 1980s has found itself right at home in the study of celebrity. But is this what we want from the study of celebrity? What are the approaches that are most needed, and which are likely to be the most productive for those of us in cultural and media studies for whom celebrity has become part of the heartland for the study of popular culture? This article will discuss some of the options, and in particular it will ask how we might establish a stronger base for the study of the industrial production, as well as the audience consumption, of celebrity.ight establish a stronger base for the study of the industrial production, as well as the audience consumption, of celebrity.
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Answer:
robert frost
Explanation:
his poems are good because he describes nature and life in a way its easy to relate to. He was realistic yet added enough dramatics in his poems to keep you interested.
hope this helps :)
Answer:
Cuneiform.
Explanation:
The system of Sumerian writing where the symbols are created using a series of wedge-shaped parts is known as cuneiform. The system of writing is so complex that nearly 90% of uncovered texts written in cuneiform are indecipherable.
1) Sculpture in the round is a type of sculpture in which the figures are represented in a three-dimensional form. One of the main characteristics of this type of sculpture is rhat it is attached to any surface, it is a <span>free-standing </span>sculpture unlike many types of relief.
2)One of the reasons why sculpture is more representational and communicative than other forms of art is because it is three-dimensional. It is a shape of reality that can be perceived and analysed directly. It can be touched, which means that it can be easily understood. It is a physical object that tells its story in front of a viewer, so it is perceived more naturally.
Diego Rodríguez de Silva y Velázquez was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age.
