Sobre la pelicula "de la calle a harvard

How might a film or plays purpose affect the choices made about its lighting?

ipn [44]

Lighting has come to be an important component of cinema's visual design. It is widely recognized that in film, as elsewhere, it can create a substantial emotional impact. A primordial response to darkness and light is a deep-seated element of human psychology that filmmakershave harnessed in order to influence the ways viewers respond to narrativedevelopment. On the one hand, deep shadows can make a character seem untrustworthy or conceal a host of horrors. On the other, bright, diffused lighting can provide comfort and reassurance or create the impression of an angelic countenance. Extremely bright light can cause discomfort, though, and can even be used as a weapon, as inRear Window(1954) andThe Big Combo(1955), where it dazzles the villains and halts their advance.

Brightness is only one variable of lighting that can contribute to the effect of a scene. The choices the cinematographer makes about what kinds of lights will be used, how many there will be, and where they will be placed all require careful consideration. Moreover, color andblack-and-white cinematography each allows for different lighting effects. Colored lighting can give rise to a range of subjective impressions that may be systematically used throughout a film for atmosphere, as in the moody and heavily stylizedBatman(1989), or for metaphorical significance, as inVertigo(1958) when Scottie (James Stewart) persuades Judy (Kim Novak) to transform her appearance into that of the dead Madeleine (Novak). When she emerges from her bathroom made over into Madeleine's image, she is bathed in a green light, its supernatural associations accentuating theuncanniness of the resurrection of her alter ego.

6 0

3 years ago

Can someone type all the lyrics for The song - No excuses by NF Please and thank you :)

Eduardwww [97]

Answer:

Yeah, I got no excuses

Ay, yeah, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Ay, I got no excuses, yeah, I got no excuses

Woo, I got no excuses, yeah, I got no

Yeah, yo, this industry is so confusin'

Hard to tell who's really with me or who's tryna use me

If I told you I respect you, I ain't say it loosely

I don't throw those words around, it's just not how I do this, ay

Yeah, I know I can be a nuisance

Ain't afraid to admit it if I think the shoe fits

People ask me where I been, I been writin' new hits

Had to make my own plans, I don't need your two-cents, ay

Yeah, I don't wanna hear excuses

I just like to make moves and make improvements

I just like to break rules, maybe start some new trends

Live the life that I choose, cuttin' off the loose ends, ah

Yeah, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Ay, I got no excuses, yeah, I got no excuses

Woo, I got no excuses, yeah, I got no

Yeah, here's a couple things that I'm confused with

I just did a interview, the guy was pretty clueless

You don't have to know the album names or all my music

But at least try to find out who you in the room with

Ay, I like facts, I don't like assumin'

Take a shot behind my back, I'ma catch the bullets

Why the game lookin' at me like I'm just a tourist?

They should know I'm here to stay, this verse is gettin' borin', twisted

Mind of a lyricist, listen while I experiment

Visualize it's imperative, big suprises and scary tricks

It is time, yes, we're here again, sit in silence, don't care for it

Criticizin' my character isn't wise, so beware of it

Forget what you're tellin' me, do what I gotta' man

I got the remedy, one of kind, man they never selected me

I don't fit in with the room of celebrities

I wanna know when they bring out my legacy

There was never nobody that ever could mention me

Sayin' that I wasn't makin' the rap

And doin' it cleverly, did what I had to

And gave them my everything

Yeah, yeah, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Yeah, yo, they asked me where I learned to do this

Self-taught, checkin' things off my to-do list

Treat my temper like my family, I ain't tryna lose it

Say a little, do a lot, woo, no excuses

Ay, I got no excuses, yeah, I got no excuses

Woo, yeah, I got no excuses, yeah, yo, I got no

Yeah, I got no

I got no excuses

Source: LyricFind

Songwriters: Cole Edward Walowac / Nate Feuerstein / Tommee Profitt

3 0

3 years ago

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What renasiance convention is reflected in Bernini's David?

IgorC [24]

I think the answer is the Baroque Convention

Hope This Helps :)

5 0

3 years ago

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During the Shang Dynasty, bronze sculptures and vessels were used in rituals. They usually featured a motif called taotie. What

suter [353]

Answer:

It was a zoomorphic mask, with a pair of protruding eyes, but typically no lower jaw, although some versions also include fangs, horns, as well as ears and eyebrows.

Explanation:

6 0

4 years ago

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What line do i put them on

Leona [35]

I forgot how to do it but I know the f goes first then it is the a then the c and then the e but I don’t know which line

8 0

3 years ago

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