The correct answer is<span> The phases of the moon are caused by the Earth casting a shadow on the moon.
</span>
The moon's size does not vary based on it's phase, it's just what is visible that varies which occurs due to the shadow of the Earth and the way that the Moon orbits the Earth.
<span>A topic outline arranges your
ideas in chronological order in the sequence that you want and it also shows
what you will talk about. On the other hand, a sentence outline is the same as
the topic outline but the difference s instead of words, sentences are placed
in it. It shows exactly what you are trying to say about the mini topics. It also
expresses the specific and complete idea of the topic in that specific topic. This
is one of the disadvantage of a sentence outline. It takes time to make the
sentence for your topic. The answer is letter B.</span>
The correct answer is: The map illustrates the size of the Louisiana Purchase and suggests its economic potential.
Indeed, since the map does not have any highlighted areas that show the extent of sugar plantations, it can only be deducted that it only shows the economic potential of the territory by showing how so much of it is located within the warm, Sun Belt of the United States where the climate is favorable for the cultivation of sugar (especially the humid areas of Southern Louisiana and Texas.
After the Haitian revolution and its horrors, many free colored Haitians (and some white Haitians) escaped to the United States and started large sugar plantations since most sugar plantations in Haiti were devastated and never recovered.
Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
ANSWER:
C. The picture frame, which we bought at a flea market, fell apart when we tried to hang it.
