Use of a variety of media in an entertainment or work of art
Answer:
<em>A</em><em> </em><em>photograph</em><em> </em><em>or</em><em> </em><em>picture</em><em> </em><em>developed</em><em> </em><em>or</em>
<em>executed</em><em> </em><em>in</em><em> </em><em>black</em><em> </em><em>and</em><em> </em><em>white</em><em> </em><em>or</em><em> </em><em>in</em><em> </em><em>varying</em>
<em>tones</em><em> </em><em>of</em><em> </em><em>only</em><em> </em><em>one</em><em> </em><em>color</em>
<em>please</em><em> </em><em>mark</em><em> </em><em>as</em><em> </em><em>brainist</em>
<em>hope</em><em> </em><em>this</em><em> </em><em>help</em><em> </em><em>:</em><em>)</em>
<span>She should be less manly and wear overalls and be more lady like by wearing dresses. She discards this message and prefers to listen to her fathers message to be a gentleman and be more of herself. This tells us that Scout was comfortable in her own skin and was very resilient.</span>
The influence of Sergei Eisenstein's theory and practice of montage resonates throughout the history of cinema. His concept of "collision" (or "intellectual") montage describes the dialectical process of juxtaposing two unrelated images to produce a new affect or thought in the viewer's mind.
