Answer:
Green’s argument uses effective rhetoric by using these components of rhetoric to create an argument that appeals to the audience.
Green establishes ethos by stating that the Equal pay bill is being considered by the Utah legislature. This infers that he has information on the legislature, and/or could be a part of it, firming his credibility.
Then, Green uses logos by showing you how the turn of events will happen if the Equal pay bill is accepted and enforced: “if businesses are forced to pay women the same as male earnings, that means they will have to reduce the pay for the men they employ". "If that happens, then men will have an even more difficult time earning enough to support their families”.
Finally, Green wraps it up by using pathos: “We should encourage our legislators to drop the whole notion. Let the marketplace determine what free-market forces should prevail. It is not the role of the government to dictate to businesses what they should pay anyway, either as a Minimum Wage or Equal pay for men and women.
Explanation:
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The event, if added to this story, would be the best example of a subplot area need to be evacuated D. A camper in one tent resists, but the ranger eventually convinces him.
<h3>What is subplot in a story?</h3>
In fiction writing, the definition of a subplot is known to be called the side story that tends to runs parallel to the main plot.
It has seen as the secondary aspect of characters and events that can be brought into or an important information that can be placed in the main storyline.
Therefore, The event, if added to this story, would be the best example of a subplot area need to be evacuated D. A camper in one tent resists, but the ranger eventually convinces him.
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Gas is the state of matter found in an inflated car tire.
Answer:
A
Explanation:
Romanticism was a revolt against the aristocratic social and political norms of the Age of Enlightenment and also a reaction against the scientific rationalization of nature. Romanticism legitimized the individual imagination as a critical authority, which permitted freedom from classical notions of form in art.
