Answer: It's long
Explanation:
The "in the hall of the mountain king " by Greig achieves unity through the eyes of a perceptive listener. We can hear that as the piece progresses the dynamics increase from a mezzo-piano to a fortissimo. As a critical listener the tempo increases through an accelerando this ties well with is forte that the middle of the piece encounters. As a casual listener, the pitch is entertaining and unexpected. As the piece progresses we can see the many layers he adds. As a referential listener, we can tell that the timbre repeats itself to the same frequency(vibrato). I feel an upbringing connotation, this piece brings life to me.
I think the notes vary depending on the instrument, but here is the first octave of the scales for trombone/baritone. The bold is the arpeggios.
<u>F MAJOR SCALE:</u>
F G A B♭ C D E F
<u>B♭ MAJOR SCALE:</u>
B♭ C D E♭ F G A B♭
<u>E♭ MAJOR SCALE:</u>
E♭ F G A♭ B♭ C D E♭
<u>A♭ MAJOR SCALE:</u>
A♭ B♭ C D♭ E♭ F G A♭
<u>D♭ MAJOR SCALE:</u>
D♭ E♭ F G♭ A♭ B♭ C D♭
<u>G♭ MAJOR SCALE:</u>
G♭ A♭ B♭ C♭ D♭ E♭ F G♭
B MAJOR SCALE:
B C♯ D♯ E F♯ G♯ A♯ B
<u>E MAJOR SCALE:</u>
E F♯ G♯ A B C♯ D♯ E
<u>A MAJOR SCALE:</u>
A B C♯ D E F♯ G♯ A
<u>D MAJOR SCALE:</u>
D E F♯ G A B C♯ D
<u>G MAJOR SCALE:</u>
G A B C D E F♯ G
<u>C MAJOR SCALE:</u>
C D E F G A B C
Answer:realist artists glorified the working class
Explanation:
Answer:
what
Explanation:
was that some sort of joke
