What i'm really confused. Is this just for points?
In Edgar Allan Poe's "The Raven", the speaker becomes angry with the raven because <em>it constantly utters the word 'nevermore'</em>. At first, the narrator thinks that nevermore is a word that the raven has learned from its former master. But when the narrator asks if he will see Lenore in heaven, if the raven will leave the bust of Palas, and if his soul will leave the raven's shadow, the raven responds to every question with 'nevermore'.
Answer:
A student's Socioeconomic status to determine who received free school lunch
Gilman expresses her feelings about the role women had in society at the time using the literary form of allegory. Allegorizing her own challenges, she demonstrates how she chose art [writing] over difficult experiences with women.
Gilman conveys the woman's mental state through a variety of literary strategies. Personification, imagery, and similes are a few of these. Additionally, she employs terms with unfavorable meanings like fungus, destroy, and lurid. Gilman refers to the wallpaper most frequently in figurative language.
The wallpaper unmistakably stands in for the narrator's imprisoning structures of family, medicine, and tradition. Wallpaper is a lowly and domestic material, and Gilman deftly employs this nightmare-inducing paper as a representation of the household existence that ensnares so many women.
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The most succesful element that creates suspense in the opening paragraph of The War of Worlds is the third person all knowing narrator. The story grabs your attention from the beggining by giving us a bird eye view of everything that has been going on prior to the beggining of the action. The use of comparison also adds a nice element of suspense. The author tells us the vast difference in intellect and resources between the invaders and human by using a common comparison, like that of a human watching something through a microscope, but without giving us any datail, leaving us wanting more. He also goes on to elaborate on how trivial our little everyday lives are compared to what he knows is coming soon. He also builds up anticipation by telling us that this isn't a spur of the moment decision, we've been watched for a long time, plans have been hatching for a while, the invasion is inevitable, and we, along with the protagonists, have no idea of what's coming, and we can't wait to find out.
