Answer:Vincent Van Gogh, while he was one of the most influential figures to western art, he was mentally ill. When he first transferred to London, he became depressed, and turned his belief to religion. In 1881 he took painting up once more after having bolstered ill health. He suffered from psychotic episodes and was aware he may have been mentally ill. After his depression advanced, he shot himself in the chest in 1890.
Leonardo Da Vinci was like a bifurcate book, he was fascinated with anatomy and hired grave robbers to steal the bodies of the recently deceased in order to study the muscles and limbs. He was a prodigious artist and far ahead of his time, obsessed with human flight, he made many sketches of his perception, after proving human flight by wing would not be possible. In order to keep these miscreant deeds secret, he wrote all his notes down backwards in Latin, so that no one may find out. There is also a thought he was more than likely homosexual. His death was exogenous.
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Explanation:
Rhythm, in music, the placement of sounds in time. In its most general sense, rhythm (Greek rhythmos, derived from rhein, “to flow”) is an ordered alternation of contrasting elements. The notion of rhythm also occurs in other arts (e.g., poetry, painting, sculpture, and architecture) as well as in nature (e.g., biological rhythms).
Rhythm
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Music
Eurythmics
Metre
Rhythmic mode
Īqāʿāt
Isorhythm
Period
Aksak
Beat
Colotomic structure
Attempts to define rhythm in music have produced much disagreement, partly because rhythm has often been identified with one or more of its constituent, but not wholly separate, elements, such as accent, metre, and tempo. As in the closely related subjects of verse and metre, opinions differ widely, at least among poets and linguists, on the nature and movement of rhythm. Theories requiring “periodicity” as the sine qua non of rhythm are opposed by theories that include in it even nonrecurrent configurations of movement, as in prose or plainchant
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A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as social change.
A widespread observation is that a great talent has a free spirit. For instance Pushkin, who some scholars regard as Russia's first great writer,[1] attracted the mad irritation of the Russian officialdom and particularly of the Tsar, since he "instead of being a good servant of the state in the rank and file of the administration and extolling conventional virtues in his vocational writings (if write he must), composed extremely arrogant and extremely independent and extremely wicked verse in which a dangerous freedom of thought was evident in the novelty of his versification, in the audacity of his sensual fancy, and in his propensity for making fun of major and minor tyrants.
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yes they are
Raphael is a Italian renaissance artist and is known for his madonnas.
Michelangelo is an painter, sculptor, architect and poet. He is an Italian sculptor.
Leonardo da Vinci was an Italian polymath of the Renaissance who was interested in invention, drawing, painting, sculpture, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, paleontology, and cartograph. He is mainly known for his painting the Mona Lisa.