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Answer:
An augmented interval has one more half step than a perfect interval. An augmented interval has one more semitone than a perfect interval. Since C to F is a perfect fourth (5 half steps), C to F# would be an augmented fourth (6 half steps).
Explanation:
C.half step smaller than a perfect interval
Answer:
<u>A1:</u>
mi (rest) sol \ la ti do ti \ do ti do re \ do (rest) (rest) \ sol la \ ti (rest) do \
1 2 3 1 2 & 3 1 & 2 3 1 2 3 12 3 1 2 3
ti la ti \ do (rest) (rest)
1 2 3 1 2 3
<u>A2:</u>
do re do ti \ do re (rest) \ mi re \ do (rest) (rest) \ mi fa sol fa \ sol la sol la \
1 2 & 3 1 2 3 12 3 1 2 3 1 & 2 3 1 2 & 3
sol fa (rest) \ mi (rest) (rest)
1 2 3 1 2 3
Explanation:
This piece is written in 3/4 time, which means that there are 3 beats in every measure and that the quarter note gets the beat. So, every measure adds up to 3 quarter notes.
Measure one in A1 only has quarter notes, so we can label each one as the next number until we get to 3.
In a measure with eighth notes (measure three in A1), we label the first beat of the eighth note as a number, and then the second beat as & because an eighth note is half of a quarter note, so it doesn't quite reach the next number yet. The exception is in measure two of A1 where the first beat is labeled as & so that the number can fall on the last best of the measure.
In a measure with half notes, (measure five in A1) label the entire half note as both beats one and two because it is equal to two quarter notes.
Solfege is do re mi sol la ti do. A2 starts on do because this piece is in the key of C and the starting note is a C. A1 starts on a mi because the starting note is E, two notes up from a C. Because of this, we go up two on the solfege scale, and that's the starting point.