I think if we plan career choices it shows that we are ready for the future and that we are very confident about our well-being in the future.
<span>Having a </span>career<span> strategy is important. It </span>can<span> help you manage the direction you want </span>your career<span> to take, the </span>job<span> skills and knowledge you </span>will<span> need, and how you </span>can<span> get them.</span>
Answer:
Li-Young Lee’s “For a New Citizen of These United States” appeared in the poet’s second collection, The City in Which I Love You, published in Brockport, New York, in 1990. Like the majority of Lee’s poems, this one is based on his memories of a turbulent childhood, beginning with his family’s escape from Indonesia by boat in the middle of the night when he was only two years old. The past often plays a significant role in Lee’s poetry, for it is something he feels is always there— that, unlike a country or a prison, history is inescapable. But not all of the poet’s relatives and friends who endured the same fears and upheaval of life in exile share his notion of an unavoidable past. “For a New Citizen of These United States” addresses a “you” who is not specifically identified but who appears to be an acquaintance of Lee’s from the time of their flight from Indonesia. In this poem, the person spoken to is not enamored of things from the past, as Lee is, and seems not to recall any of the events and settings that Lee describes. Although the poem’s speaker—Lee himself, in this case—pretends to accept his acquaintance’s lack of interest and real or feigned forgetfulness of their shared history, his tone of voice and subtle sarcasm make it clear that he is frustrated by the other’s attitude. This premise dominates the poem from beginning to end.
Answer:
what you have already is good
Explanation:
Answer:
I will try
Explanation:
Paragraph writing in fiction doesn’t follow traditional rules. Like storytelling itself, it is artistically liberated, and that liberation gives it the potential to contribute to the story’s aesthetic appeal. Paragraphs build a story segment-by-segment. They establish and adjust the pace while adding subtle texture. They convey mood and voice. They help readers visualize the characters and the way they think and act by regulating the flow of their thoughts and actions.
In this series, adapted from “The Art of the Paragraph” by Fred D. White in the January 2018 issue of Writer’s Digest, we cover paragraph writing by exploring different lengths and kinds of paragraphs—and when to use each one. [Subscribe to Writer’s Digest today.]
How to Write a Descriptive Paragraph:
Descriptive paragraphs enable readers to slip into the story’s milieu, and as such can be relatively long if necessary. Skilled storytellers embed description within the action, setting the stage and mood while moving the story forward. Here is an example from Douglas Preston and Lincoln Child’s The Lost Island, a thriller in which the protagonists hunt for a lost ancient Greek treasure on a Caribbean island, of all places:
