Commons
“How did Faulkner pull it off?” is a question many a fledgling writer has asked themselves while struggling through a period of apprenticeship like that novelist John Barth describes in his 1999 talk "My Faulkner." Barth “reorchestrated” his literary heroes, he says, “in search of my writerly self... downloading my innumerable predecessors as only an insatiable green apprentice can.” Surely a great many writers can relate when Barth says, “it was Faulkner at his most involuted and incantatory who most enchanted me.” For many a writer, the Faulknerian sentence is an irresistible labyrinth. His syntax has a way of weaving itself into the unconscious, emerging as fair to middling imitation.
While studying at Johns Hopkins University, Barth found himself writing about his native Eastern Shore Maryland in a pastiche style of “middle Faulkner and late Joyce.” He may have won some praise from a visiting young William Styron, “but the finished opus didn’t fly—for one thing, because Faulkner intimately knew his Snopses and Compsons and Sartorises, as I did not know my made-up denizens of the Maryland marsh.” The advice to write only what you know may not be worth much as a universal commandment. But studying the way that Faulkner wrote when he turned to the subjects he knew best provides an object lesson on how powerful a literary resource intimacy can be
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Answer:
Parliament had passed laws the colonists considered unfair.
Explanation:
The Second Continental Congress sought to reconcile with King George III and in July 1775, a petition was sent to the King to end the unrest between the British and American colonies.
The petition was a final attempt not to go to war with Britain and in the petition, the people pledge loyalty to the Crown, claiming that the colonies were not agitating for independence.
They sent the petition to the King instead of the Parliament because Parliament had passed laws the colonists considered unfair.
<span>"Half asleep, Liesel dreams of Adolf Hitler speaking at a rally where Hitler smiles at Liesel, and Liesel, who is illiterate, greets him in broken German. In Liesel's dream, she does not hate Hitler as she does later in the book."
This shows the original opinion of Liesel in which she has not yet been effected by his rise to power. Serves as a contrast to later in the book. </span>
