The correct answer for 1 is <span>D) The reader and the speaker share the same essence.
The reader and the speaker and all other people on the planet share the same essence. This is a very transcendentalist thought that we are all connected and are one and the same soul and should not take that lightly. Here ti isn't about physical even though atoms are a physical thing.
The correct answer for 2 is </span><span>D) Loafing is permissible, especially when studying nature.
Loafing didn't have a negative connotation back then, it simply referred to relaxing and dwelling on something, it wasn't just about being lazy. Loafing is permissible and his watching the plants is making him find a deeper meaning in life and in nature.
The correct answer for 3 is </span><span>D) These lines suggest that national identity is forged through having deep ancestral roots in a place.
His national identity of loving America which is also seen in his other poems stems form the idea that his forefathers and their forefathers were born there and they all shared the same experience of the land and nature and it is now his thing. </span>
Answer:
A behavior in which one redeems him or herself in order to communicate rationally with others
Explanation:
Nteresting information about the Globe Theatre Tiring House during the life and times of William Shakespeare and the Globe Theatre of Elizabethan London, England
Globe Theatre Tiring HouseThe stage wall structure contained at least three doors which lead to a leading to small structure, back stage, called the ' Tiring House '. The stage wall was covered by curtains allowing entrances from left, right and center. The actors used this area to change their attire - hence the name 'Tiring House'. The tiring house contained the dressing rooms with access to the the prop room with connecting passage and stairways. The 'Tiring House' was a hive of activity with actors changing their attire and collecting their props. Although many of the plays were performed by actors wearing Elizabethan clothes the Globe Theatre Costumes belonged to the Theatre and were both costly and sumptuous.
Globe Theatre Tiring House Prop ManThe Globe Theatre company used a 'prop man' who would be stationed in the 'Tiring House'. The Prop man would have a list of all the Globe Theatre Props which to be used in a play, what scene they were required for and which actor/ character would need them. The list was glued to a board which hung on one of the Tiring House doors.
Globe Theatre - The Lord's Rooms and the Actor's BalconyImmediately above the curtained doors of the 'Tiring House' were a row of galleries which housed the Lord's Rooms. The centre gallery, or balcony, might also be used for plays requiring such a structure - the Balcony scene from Romeo and Juliet immediately springs to mind.
Globe Theatre - The Musicians GalleryDifferent effects were gradually added to the Globe Theatre including music to accompany the performances. One of the balconies above the stage therefore housed the musicians. Composers were specially commissioned to write music and songs to accompany the works of playwrights such as William Shakespeare. The most famous Globe Theatre composer was Robert Johnson ( 1582-1633 ). Robert Johnson composed 'Full fathom five' and 'Where the Bee Sucks' which were written for the first performance of The Tempest by William Shakespeare. The musicians playing in the Musician's Balcony were usually hidden from view behind closed curtains.
Globe Theatre - The HutAbove these galleries was a small house-like structure called the 'hut' complete with a roof. The 'hut' was used as a covered storage space for the Globe acting troupe. The 'Hut' could be accessed directly from the connecting passage and stairways from the 'Tiring House'.
Answer:
I think it is propoganda because the statement is doing more than forming an opinion. By saying "If purchased, will serve all of your digital needs" tells me that this statement is promoting Itablets. But I am not 100% sure.
It might be said that social convention were really marked and important at that time (1890's), the role of the women was very limited and they were supposed to follow and respond to men's decisions. Hedda seems to be socially repressed and she had a good social and economic position. However, in this act she seems to transcend social limits by being authoritative and demanding. She appears to be in control of the situation without following any men. In fact, she even manipulates and commands people around her, both man like Lovborg and woman like Thea.
