Although a viable musical force since the 60's, Joe Henderson achieved recognition in the 1990s with his series of concept albums.
Joe Henderson's Elements in Concept Album was essentially a one-off for him as a leader. Arrangements like these, found on albums like Journey in Satchidananda and Ptah, the El Daoud (the latter featuring Henderson), are where Coltrane created her most stirring work, and this record is one of them.
The Elements is a concept album, with four songs titled "Fire," "Air," "Water," and "Earth." The music is an unusual blend of free-form blowing, loping funk, and drone, with a strong emphasis on sounds and scales from North Africa, the Middle East, and India. The live interplay is important, but a metallic studio crispness adds an intriguing tint: Henderson's horn is frequently processed electronically, and there are obvious tape splices and overdubs throughout.
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El hiperrealismo es una tendencia radical de la pintura y escultura que nace en Estados Unidos a finales de los años 1960 tras el pop art y luego se extiende por toda Europa; los hiperrealistas rechazan cualquier interpretación de la realidad de la que proponen una reproducción mecánica.
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