I would say you could do:
Posters
Powerpoint
A letter
A class
Or a lesson!
Mannerism (from “maniera” in Italian) was a style in
European art that emerged in the later years of Renaissance at the 16th century
in Italy. Mannerism was the reaction to the harmonious ideas of Renaissance and
artist such as Leonardo da Vinci, Raphael and Michelangelo, which is why the
subjects in Mannerism were presented with exaggerated ideal qualities, often
resulting in compositions that are asymmetrical or unnaturally elegant.
The feature of static visual is that they are used to grab your audience's attention.
Static visuals, similar to photos, are more compelling at staying in the watcher's mind, since they are not continually evolving. Visuals ought to have restricted content, except if showing insights, as an excessive number of words debilitate the effect of your message.
Static visuals ought to be utilized while exhibiting measurements. At the point when information is displayed in a video, data is excessively brief for the mind, making it impossible to process. Like promotions, static visuals go about as data sheets that show prove or convey a philosophy. Not at all like static visuals, moving visuals are eye catching. Short clasps and activitys have the ability to be more provocative than static visuals.
1. Theatricality and drama. Monteverdi is the pioneer of opera as a dramatic fusion of music and text. Caravaggio's paintings are extremely dramatic and even theatrical. The faces are expressive, and never in a conventional way - they are angry, bored, sexually aroused, corrupt, decayed. It is never a passive representation of a scene. It is always brimming with drama.
2. The strange mixture of sacred and profane. Caravaggio used street hoodlums for models when he painted sacred scenes (e.g. The Calling of St. Matthew), and he painted courtesans in a dignified manner. Monteverdi's Poppea ("L'incoronazione di Poppea") is a courtesan lover of Nero, the Roman emperor. The two of them have extremely passionate and sensual duets together, including the tender "'Pur ti miro" at the end of the opera.
3. Music as inspiration. Caravaggio often painted musicians with lutes and other instruments. Monteverdi not only composed opera, but composed opera about music - his L'Orfeo is a piece about the sheer power of music and its impact on the world.
4. Fascination with dark corners of human psyche. Caravaggio obsessed over irrational, wicked, flawed personalities. Monteverdi also puts them in the center of all his major works. Even though he is a half-god, his Orfeo is very flawed and might even be considered weak, as he errs all the time. His Nero is extremely depraved. Even his madrigals couldn't just be simple love songs - they are called "Madrigali guerrieri et amorosi" - "Love and War Madrigals".
