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11Alexandr11 [23.1K]
3 years ago
7

t object]user: john williams is probably the most popular film composer of the modern era. a. true b. false user: the developmen

t of worldbeat music is due in part to a phenomenon known as globalization. a. true b. false
Arts
1 answer:
lorasvet [3.4K]3 years ago
5 0

Answer:

1. true

2. true

Explanation:

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Yanka [14]
Answer: I think that the answer might be all of the above
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3 years ago
What type of metamorphosis is illustrated? how can you tell
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3 years ago
Why was African art lost​
vaieri [72.5K]

Answer:

African art history has played a significant role in shaping the culture and history of the world. The belief that Africa is the cradle of the history of mankind is virtually unshakeable. The origins of African art history lie long before recorded history, preserved in the obscurity of time. Rock Art is centuries old, while shell beads fashioned for a necklace have been recovered in a cave in the furthest reach of the southern peninsula of South Africa that are 75 000 years old.  

rock painting algiers

Rock painting, Herdsmen, African art history, Algeria

A study of African art history indicates the earliest sculpture forms found come from Nigeria and are dated around 500BC. However, the lack of archaeological excavations inhibits knowledge of the antiquity of African art and the sheer disposable nature of the raw materials used in the creation of art objects means that an untold wealth of pieces have disintegrated in time.

Compounding this, as these objects were not coveted as aesthetic accomplishments by the indigenous communities who created them, no effort was made to preserve them. Often their value was negligible once their function was performed.

Foreign colonisation of most countries in sub-Saharan Africa took place from 1840 onwards and different values became omnipresent. A lot of African art was acquired for curious means by travellers, traders and missionaries in the century before and left the continent. Colonialists most often did not give indigenous art the merit and attention it deserved and thereby African art history was not preserved or documented.

There has been a huge emphasis on Central African art history for two reasons, one being that the communities who resided there were the most sedentary of the tribes in Africa and secondly, that they produced figurative sculptures that Western collectors could most easily identify with as 'art'; as they defined it.

The basic subject is the human figure and strong formal qualities were exhibited with strong design features creating balance and harmony. These formal design qualities combined with a powerful spirituality and expressive vigour attracted early twentieth century artists to explore new dynamics in visual art and became the birthstone for modern day abstraction.

The surge in interest in collecting African art, both tribal and contemporary, has forced scholars and investors, governments and institutions to re-examine the very essence of African art. Collections that have been inhabiting deep, dark depths of museum vaults have been moved to the forefront of African art history museums, galleries and auction houses to be observed and celebrated for the beautiful and fascinating field of art that it is. European and African researchers are studying collections not only to see how they may be used to shed more light on African art history but also to help restore lost traditions and skills in the crafts of the cultures from whence they came.

Historically, some communities were non sedentary and would have carried with them as little as possible and therefore only utilitarian objects would have been transported. Because their value was based on their functionality and their spiritual attributes, should their purpose no longer be of service to the creator and his community, they would have been abandoned.

Africa must have lost uncountable pieces of art that would have been lost on the wayside of migratory existence.

Explanation:

3 0
3 years ago
What is the emotional aspect of a photographic critique?
chubhunter [2.5K]

Vivemos em uma cultura que valoriza a razão, o pensamento, a ordem, em detrimento da emoção, da intuição e tem dificuldades em lidar com a natureza caótica das coisas. Quando nos envolvemos com uma atividade, como a fotografia, tentamos organizá-la, mentalmente, utilizando os recursos racionais que empregamos diariamente para lidar com o mundo. Isso nos leva a priorizar a forma, os números, as regras e o método.

Consequentemente, nos vemos apegados aos aspectos técnicos das imagens, às especificações das câmeras, aos números, ou seja, a tudo que possa ser organizado e quantificado. Queremos saber quantos megapixels tem o sensor, quão nítida é uma lente, quantas fotos são feitas numa viagem ou num evento, quanto tempo dura uma bateria.


Jusni Nasirun

Mesmo a análise de uma imagem em si é geralmente racional. Tendemos a aplicar categorias técnicas como cor x preto e branco; nítido x borrado; sobre-exposição x subexposição. Quando as formas contidas na foto são harmônicas e facilitam a nossa organização mental necessária para ler o espaço, dizemos que há uma boa composição. Se há muitos pontilhados, dizemos que há muito ruído. A foto em si não está de fato sendo vista; não se olha para o seu conteúdo, apenas para a sua forma. Ou seja, costuma-se ler a foto em termos racionais e, num círculo que se retroalimenta, o fotógrafo, quanto mais envolvido com a fotografia, tende também a produzir imagens que funcionem melhor nessa perspectiva racional.

O que se percebe nesse cenário, no entanto, é que praticamente não há nenhum espaço para o aspecto não racional da fotografia. Não há lugar para o desenvolvimento de temas relevantes. O fotógrafo pouco se pergunta sobre o que fotografar. Sobre o que será seu discurso? O que, daquilo que ele vivencia, é relevante o suficiente para que ele busque construir sobre isso uma obra fotográfica? Qual o papel da fotografia na sua vida? Como se sente ao fotografar? Quais emoções ele provoca em quem vê suas fotos?

No geral, ele apenas fotografa em busca da fotografia perfeita em termos racionais e faz o que ele acha que deve ser feito: fotografa em viagens, em locais exóticos, usa estereótipos (o mendigo, a mulher bonita, o velho, a criança) sem de fato se relacionar com o que retrata. E, até por conta disso, tem dificuldades em abaixar a câmera e viver o momento. Fotografa, mas mal sabe o que, quando e porquê.

3 0
3 years ago
What really makes you angry?
elena-s [515]
When people say sorry but continuously keep doing it
7 0
2 years ago
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