Its saying like they don't want nothin to change and that no matter how hard they tryna change it its gone stay the same no matter how wrong/ bad it is.
Jo additionally adores writing, both perusing and composing it. She creates plays for her sisters to perform and composes stories that she in the end gets distributed. She emulates Dickens and Shakespeare and Scott, and at whatever point she's not doing tasks she curls up in her room, in the edge of the attic, or outside, totally ingested in a good book.
Meg, short for Margaret, is the most oldest and (until Amy grows up) the prettiest of the four March sisters. She's the most typical of the sisters – we think about her as everything that you may expect a nineteenth-century American young lady from a good family to be. Meg luxury, nice things, dainty food, and great society. She's the only sister who can truly recall when her family used to be wealthy, and she feels nostalgic about those past times worth remembering. Her fantasy is to be wealthy once again, and have a big mansion with tons of servants and costly belongings. She's additionally somewhat of a sentimental; when she needs to tell a story to delight her sisters, it's about love and marriage, and Jo begins to suspect at an early stage that Meg may have a genuine Prince Charming in her thoughts. Meg is sweet-natured, devoted, and not in the least flirtatious – truth be told, she's unreasonably great and proper. Maybe that's the reason she's so alarm by her sister Jo's boisterous, tomboyish behavior.
the answer is A - lost in the woods
Answer:
A) He has grown emotionally as a person
Explanation:
However, by taking the silk belt and keeping it secret, Gawain proves himself to be less than perfect. When finally confronted with his failing, Gawain accepts responsibility for his actions and shows remorse, indicating that he grown spiritually and morally. Many readers feel that Gawain is too hard on himself in wearing the belt as a reminder of his guilt, and that the standard of perfection he wants to uphold is simply unattainable. Despite having failed in one crucial area, Gawain remains an appealing figure, embodying everything that is most attractive about the chivalric ideal.
Gawain's overriding quality throughout the poem is what the Gawain-poet calls "trawthe," or truth. Truth in this sense includes many things: honesty, faith, loyalty, uprightness, purity. Gawain condemns himself for untruth at the end of the poem, but Gawain's imperfections make him a more interesting character than the perfect model of virtue he first appears to be. He is brave, yet he fears death. He is chaste, yet he is attracted to his beautiful hostess. He is courteous toward women, yet he repeats a standard piece of misogynistic rhetoric. He is loyal and honorable, yet he deceives his host and tries to gain an advantage in his match with the Green Knight.
Besides his interesting imperfections, he displays a surprising range of emotions. His anger and defensiveness when he realizes his fault, his fearful imaginings as he approaches the Green Chapel, and his obvious attraction to his hostess hint that his character has an inner life, not merely a stock role to play.
