Answer:
The tribe’s relationship with Enkai is crucial to them.
Explanation:
According to a different source, the passage that is included with this question is:
<em>Our relationship with Enkai is essential to the tribe. Enkai is neither male nor female. The sky god is powerful, but can change from nurturing to vengeful depending on our behavior. Sometimes Enkai is Enkai Narok, the Black God, happy with us and blanketing the sky with dark clouds that pour out rain to nourish the plains. When angry, though, Enkai becomes Enkai Nonyokie—the Red God. In these times, the sun grows incredibly hot until the earth dries up and becomes barren. Because of this, we work to keep Enkai happy.</em>
Although the passage mentions many different things about Enkai, the main idea that it tries to convey is that the people have a relationship with Enkai that is crucial to their lifestyle and their well-being. In this passage, we learn that the people have various beliefs about Enkai, but also that they work tirelessly to keep Enkai happy.
Answer:
No, Jim Macpherson never came back home from the war. The cello taped box had a note paper on it where he had written that "to be buried with me when the time comes'. It is clear that he never came back
Before answering the question, it is convenient to mention that James Baldwin was a Black writer in the decade of the 50s and even though there were other Negro Writers in the literary world, they all suffered from racisms and social prosecution, the novel “Notes of a native Son” is close to an autobiography assembled from essays James Baldwin had written. In the novel the author intends to depict the hatred black people had to suffer at that time.
The figurative device that Baldwin uses to emphasize the rage buried beneath his father's outward appearance and actions is:
The paradox “vindictively polite.”
Here the word "vindictive" is expressing the inner rage that was beneath his father outward appearance, and the word "polite" expresses the overt emotions or actions.
