I believe the correct answer is: "Beyond a bare,
weather-worn wall, about a hundred paces from the spot where the two friends
sat looking and listening as they drank their wine, was the village of the
Catalans."
In this excerpt from the novel “The Count Monte Cristo”, written by
Alexander Dumas, the quotation that best contributes to the setting of the
narrative is:
"Beyond a bare, weather-worn wall, about a hundred
paces from the spot where the two friends sat looking and listening as they
drank their wine, was the village of the Catalans."
The setting of the narrative represents the place where
narrative is being unfolded – its surroundings, position. This quotation is the
best contribution to the setting as it describes the place where the story
begins (beyond a bare, weather-worn wall, hundred paces from the spot… the village
of the Catalans).
<u>If your asking about what interactions mean in </u><em><u>Science</u></em><u> then this is the definition</u> --> a mutual or reciprocal action; interacting.
<u>If your asking for the </u><em><u>physics</u></em><u> definition for interactions mean then this is the definition</u> --> transfer of energy between elementary particles or between an elementary particle and a field or between fields; mediated by gauge bosons.
<u>Or, if your asking for what interactions mean </u><em><u>in general</u></em><u> then this is the definition </u>--> 1 : mutually or reciprocally active. 2 : involving the actions or input of a user especially : of, relating to, or being a two-way electronic communication system (such as a telephone, cable television, or a computer) that involves a user's orders (as for information or merchandise) or responses (as to a poll).
<em>Hope this helps you, and I hope you have a wonderful weekend and a wonderful Thanksgiving bye! Your welcome.</em>
<h3>- Sadie ❤</h3>
The answer is C. Thats the answer for this question
I believe the correct answer is: "Of stagnant waters: altar, sword, and pen,
"
Metonymy is the type of metaphor, figure of speech, which is uses the substitution of the name of an attribute or adjunct for that of the thing meant. In the poem “London” written by William Wordsworth in 1802, the line which uses metonymy to refer to art and literature is the third line: “Of stagnant waters: altar, sword, and pen,” as the pen represents the whole literature in England after Milton’s death.