A piece of music where one part echoes or imitates another part is known as a Canon
I can only answer some, but you'll have to answer the others. I already answered the 1st and 2nd question previously.
6. What is pigment?
It is basically another word for color. Having a move fancy definition though: a pigment is the natural color of an animal or plant tissue
8. What are the three primary colors?
Red, Yellow, and Blue
9. Why is violet called a secondary color?
Secondary colors are created mixing primary colors. Since red and blue make violet, it makes violet a secondary color.
I hope this helped you! If you need any more help, please ask me.
Hey!
Vincent van Gogh was the one who painted this, he named it "Starry Night". It's an appropriate name due to the stars that can be seen in the sky. Since he was a post-impressionist, that explains why the paint strokes <span>can be seen so small and thin</span><span>. That was very uncommon compared to regular paintings during that time.
</span>
Thanks!
-TetraFish
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
They would be considered Northwest Coast art.