<span>When Telemachus was visiting Nestor with Athena in the disguise of Mentor, after a while She turned into a bird and flew away, right in front of Telemachus. At that point Telemachus knew that he had been in the company of a God.</span>
Daisy was driving when Myrtle was killed. She killed Myrtle but Gatsby is willing to take the blame and the consequences in order to protect Daisy. Daisy only wants to save her own skin. She is selfish and self-centered and Tom is only concerned with maintaining his status in the elite world of the rich and wants nothing to do with scandal. The external conflict would be the law. Daisy will not confess to the hit and run she committed and Tom would not give up his standing in the community to do the honest thing and go to the police with the truth. Daisy and Tom are content with allowing Gatsby to take the blame since it is presumed by some, namely Myrtle's husband, that Gatsby was driving the car at the time of Myrtle's death. Unfortunately for Gatsby, Myrtle's husband arrived before the police and killed him. Both Daisy and Tom are without conscience or a moral compass. They get out of town and never even attend Gatsby's funeral. Kind of hard to face a corpse when you are the reason they are dead.
Feather because it doesn't make sense
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It might be contended that the intrusion of the Stage Manager has the continuous effect of reminding the audience that they are not watching reality but are watching a play. This effect is also enhanced by the fact that there are virtually no props or backdrops. If anything has to be moved it is not done behind a closed curtain. Stagehands simply walk in and do whatever is needed. In the cemetery scene the dead people are not lying down but are all sitting straight up on wooden chairs--and yet this is the most moving scene in the play. We are especially moved by the presence of young Emily, who had such optimistic hopes and dreams and plans but died in childbirth. She doesn't seem to belong among all these old people who have lived their lives.
The play Our Town is remarkable in respect to the thematic changes that it undergoes. The play traces the development of life, and shows how people go through birth, youth, love and death in the same way. This does not make the experiences of people less unique. In fact, it makes them more so, as it connects all humans in a similar way.
Wilder ends the play with the topic of death. This serves two purposes. On the one hand, this illustrates how all lives end, and the impact that death has on those who remain. It also suggests that death is the ultimate "end," which is why it becomes the end in the play as well. The second purpose is to remark on the fact that humans rarely appreciate their lives while they have it, and they forget to think of the inevitability and reality of death.
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Explanation:He is able to provide an in depth look at why the woman shouting.
