Answer:
She sees someone pushing flowers through a cracked-open window and scattering them around and then she notices him moving.
Explanation:
Delightedly, she realizes that they are being scattered by Nathaniel Benson, who has evidently survived the fever outbreak and is still thinking of her.
She looks up and sees someone pushing flowers through a cracked-open window. She realizes it’s Mr. Peale’s house. After the window closes, she sees a tall, lean shadow moving and smiles at the memory of Nathaniel —“He was alive and still sending me flowers.”
A literary mode rather than a distinguishable genre, magical realism is characterized by two conflicting perspectives, one based on a so-called rational view of reality and the other on the acceptance of the supernatural as prosaic reality. Magical realism differs from pure fantasy primarily because it is set in a normal, modern world with authentic descriptions of humans and society. It aims to seize the paradox of the union of opposites; for instance, it challenges binary oppositions like life and death and the pre-colonial past versus the post-industrial present. According to Angel Flores, magical realism involves the fusion of the real and the fantastic, or as he claims, “an amalgamation of realism and fantasy.” The presence of the supernatural in magical realism is often connected to the primeval or magical “native” mentality, which exists in opposition to European rationality (See Myths of the Native<span>). According to Ray Verzasconi, as well as other critics, magical realism is “an expression of the New World reality which at once combines the rational elements of the European super-civilization, and the irrational elements of a primitive America.” Gonzalez Echchevarria believes that magical realism offers a world view that is not based on natural or physical laws nor objective reality. However, the fictional world is not separated from reality either.</span>
It can be there it’s not wrong but I think it would also be fine without it, so either
