The United States choice to give military help to France and the Associated States of Indochina was come to casually in February/March 1950, supported by the President on May 1, 1950, and was reported on May 8 of that year.
The choice was taken notwithstanding the U.S. want to keep away from direct association in a pilgrim war, and notwithstanding a detecting that France's political-military circumstance in Indochina was awful and was disintegrating.
Also, expectations that U.S. help would accomplish a stamped distinction over the span of the Indochina War were intensely qualified.
The circumstance in which the choice was made was totally overwhelmed by the assume control of and union of intensity in China by the socialists.
Patriot Chinese powers had been pulled back from terrain China and Communist Chinese troops had touched base on the outskirt of Indochina in late 1949.
This period was the high water characteristic of U.S. fears of direct Chinese Communist intercession in Indochina. hope this helps :D
1.melody short phrases, large leaps
Towards the end of the past century composers as Steve Reich La Monte Young, Philip Glass, they began to explore what is now called minimalism, in which the music is stripped down to its most fundamental features; the music often features repetition and iteration. An early example is Terry Riley's In C from 1964, perhaps a random work in which short phrases are chosen by the musicians from a set list and played an arbitrary number of times, while the note C is repeated in quavers behind them. Philip Glass works are on the most representative perhaps also featuring as soundtracks of movies.
2, harmony mixed meter
This caused a very new sensation with an extreme irregular rhytm. While time signatures usually express a regular pattern of beat stresses continuing through a piece (sometimes a section), sometimes composers place a different time signature at the beginning of each bar, resulting in music with an extremely irregular rhythmic feel.
Examples;Promenade -- Modest Mussorgsky's Pictures at an Exhibition (1874) The opening already shows signs of this implement
3· rhythm atonality
Atonality first began as a pejorative term to condemn music in which chords were organized seemingly with no apparent coherence. the term describes music that does not conform to the system of tonal hierarchies that were traditionally seen in classical European music between the 1700's and 1900'a centuries Example; ending Schoenberg's "George Lieder" Op. 15/1
4.dynamics extremes
some pieces started to use additional markings of further emphasis. Extreme dynamic markings introduced an extreme range of loudness, or, and sometimes accompanied with very small differences of loudness within a normal range, this huge change was made possible with the orchestration of the work, usually using many loud instruments like brass and percussion playing at once. It became more widespread in late 1900s.
The United states and Israel
Answer:
How were the Jews of Eastern and Western Europe different?
Compared with Western Europeans, fewer Central and Eastern Europeans would welcome Muslims or Jews into their families or neighborhoods, extend the right of marriage to gay or lesbian couples or broaden the definition of national identity to include people born outside their country.
What two European countries had the largest Jewish population just before World War II? In 1933, approximately 9.5 million Jews lived in Europe, comprising 1.7% of the total European population. This number represented more than 60 percent of the world's Jewish population at that time, estimated at 15.3 million.
Hope this helps :)
The South Atlantic System made an interconnected Atlantic World since products, thoughts, and individuals were moved between the mainlands. This framework affected improvement in the British settlements since it associated America better to different nations and it expanded their economies.
