In my opinion, C is the correct answer.
Here is my reasoning. It is a quote from Sylvette Lemagnen, the conservator of one of the greatest tapestries in history, the Bayeux Tapestry.
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"The Bayeux tapestry is one of the supreme achievements of the Norman </span>Romanesque<span> .... Its survival almost intact over nine centuries is little short of miraculous ... Its exceptional length, the harmony and freshness of its colours, its exquisite workmanship, and the genius of its guiding spirit combine to make it endlessly fascinating"
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<span> - Sylvette Lemagnen, conservator of the tapestry
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Hope this helps!
One of his sculptures is Bacchus who shows the representation of drunkenness but he is the roman from of dioynisess<span> </span>
I believe the correct answer is: Heinrich Heine.
Heinrich Heine was a German journalist, essayist, and
literary critic and composers of art songs which were favored among other people,
alongside the lyric poetry of Johann Wolfgang von Goethe. Heine is best known for
his early lyric poetry, which was set to music in the form of “Lieder” by composers
Franz Schubert and Robert Schumann.
Answer:
Raphael’s Madonna of the Meadow depicts the Virgin Mary with Jesus Christ the child and John the Baptist. Mary is the largest figure, anchoring the foreground in stable triangular form. The deep hues of her blue cloak and red dress emphasize the triangle, and force the baby Christ and John the Baptist further into the foreground. The baseline of the triangle is created by Mary’s cloak; John marks the left corner, Jesus is at the center, and Mary’s foot (highlighted to compensate for its small size) marks the right corner. Raphael contrasts earthy tones and deeper shades in the middle and foreground against the pale, bluish background to create a square. The combination square and triangle, both Renaissance symbols of the perfection of Nature, provide stasis and unity. Each shape draws the viewer’s eye: The triangle directs attention to Mary’s face, the square (from Mary’s chest to the bottom of the painting) directs the viewer to the figures of Jesus and John. Raphael creates depth in the middle ground by showing small trees. In the background, he uses atmospheric perspective to create depth: the pale shades, blue tint, and smudged lines of the hills and village across the lake. Each figure casts a shadow on the ground, and shadowing between Mary and Jesus creates space between them to create volume.
Ex:I hope this helps haha ,
i had to something like this a few days ago