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hammer [34]
3 years ago
12

What logical ideas does the friar use to convince Romeo not to kill himself? Lists three examples

English
2 answers:
Harman [31]3 years ago
5 0

Answer:

Friar Lawrence tries to convince Romeo that he should be grateful he won't be executed for killing Tybalt, instead of whining about being banished. When Friar Lawrence tells him he is banished, Romeo says he would rather die. Friar Lawrence chides him, telling him to be grateful that he has his life.

Alex Ar [27]3 years ago
5 0

Answer:

I<em>n a rather lengthy speech in Act III scene 3 of this excellent tragedy, Friar Lawrence berates Romeo for trying to kill himself, and then goes on to explain to him the many reasons he should have for being happy to prevent him from trying to do it again. Note the positive spin that Friar Lawrence gives to Romeo's otherwise desperate and bleak situation:</em>

<u><em>"(What, rouse thee, man! Thy Juliet is alive, </em></u>

<u><em> </em></u>

<u><em>For whose dear sake thou was but lately dead. </em></u>

<u><em> </em></u>

<u><em>There art thou happy. Tybalt would kill thee, </em></u>

<u><em> </em></u>

<u><em>But thou slowest Tybalt. There art thou happy. </em></u>

<u><em> </em></u>

<u><em>The law, that threatened death, becomes they friend </em></u>

<u><em> </em></u>

<u><em>And turns it to exile. There art thou happy.)"</em></u>

<em>Note the way the repetition of the phrase "There art thou happy" reinforces Friar Lawrence's central message of how much Romeo has to be thankful for. These separate happiness convert themselves, in his words, into a "pack of blessings light upon thy back." The Friar is thus able to convince Romeo to hold off from killing himself with hope in a future where they can make their marriage known and when Romeo and Juliet can finally be reunited for ever.</em>

<em />

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Ano po yung conflict ng "My Father Goes to Court".
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Answer:

My Father Goes To Court (Carlos Bulusan)

When I was four, I lived with my mother and brothers and sisters in a small town on the island of Luzon. Father’s farm had been destroyed in 1918 by one of our sudden Philippine floods, so several years afterwards we all lived in the town though he preferred living in the country. We had as a next door neighbour a very rich man, whose sons and daughters seldom came out of the house. While we boys and girls played and sang in the sun, his children stayed inside and kept the windows closed. His house was so tall that his children could look in the window of our house and watched us played, or slept, or ate, when there was any food in the house to eat.

Now, this rich man’s servants were always frying and cooking something good, and the aroma of the food was wafted down to us form the windows of the big house. We hung about and took all the wonderful smells of the food into our beings. Sometimes, in the morning, our whole family stood outside the windows of the rich man’s house and listened to the musical sizzling of thick strips of bacon or ham. I can remember one afternoon when our neighbour’s servants roasted three chickens. The chickens were young and tender and the fat that dripped into the burning coals gave off an enchanting odour. We watched the servants turn the beautiful birds and inhaled the heavenly spirit that drifted out to us.

Some days the rich man appeared at a window and glowered down at us. He looked at us one by one, as though he were condemning us. We were all healthy because we went out in the sun and bathed in the cool water of the river that flowed from the mountains into the sea. Sometimes we wrestled with one another in the house before we went to play. We were always in the best of spirits and our laughter was contagious. Other neighbours who passed by our house often stopped in our yard and joined us in laughter.

As time went on, the rich man’s children became thin and anaemic, while we grew even more robust and full of life. Our faces were bright and rosy, but theirs were pale and sad. The rich man started to cough at night; then he coughed day and night. His wife began coughing too. Then the children started to cough, one after the other. At night their coughing sounded like the barking of a herd of seals. We hung outside their windows and listened to them. We wondered what happened. We knew that they were not sick from the lack of nourishment because they were still always frying something delicious to eat.

One day the rich man appeared at a window and stood there a long time. He looked at my sisters, who had grown fat in laughing, then at my brothers, whose arms and legs were like the molave, which is the sturdiest tree in the Philippines. He banged down the window and ran through his house, shutting all the windows.

From that day on, the windows of our neighbour’s house were always closed. The children did not come out anymore. We could still hear the servants cooking in the kitchen, and no matter how tight the windows were shut, the aroma of the food came to us in the wind and drifted gratuitously into our house.

One morning a policeman from the presidencia came to our house with a sealed paper. The rich man had filed a complaint against us. Father took me with him when he went to the town clerk and asked him what it was about. He told Father the man claimed that for years we had been stealing the spirit of his wealth and food.

When the day came for us to appear in court, father brushed his old Army uniform and borrowed a pair of shoes from one of my brothers. We were the first to arrive. Father sat on a chair in the centre of the courtroom. Mother occupied a chair by the door. We children sat on a long bench by the wall. Father kept jumping up from his chair and stabbing the air with his arms, as though we were defending himself before an imaginary jury.

The rich man arrived. He had grown old and feeble; his face was scarred with deep lines. With him was his young lawyer. Spectators came in and almost filled the chairs. The judge entered the room and sat on a high chair. We stood in a hurry and then sat down again.

After the courtroom preliminaries, the judge looked at the Father. “Do you have a lawyer?” he asked.

“I don’t need any lawyer, Judge,” he said.

“Proceed,” said the judge.

The rich man’s lawyer jumped up and pointed his finger at Father. “Do you or you do not agree that you have been stealing the spirit of the complaint’s wealth and food?”

“I do not!” Father said.

“Do you or do you not agree that while the complaint’s servants cooked and fried fat legs of lamb or young chicken breast you and your family hung outside his windows and inhaled the heavenly spirit of the food?”

“I agree.” Father said.

“Do you or do you not agree that while the complaint and his children grew sickly and tubercular you and your family became strong of limb and fair in complexion?”

“I agree.” Father said.

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Swift exhibits deep sympathy for Ireland's beggars at the outset of the essay by outlining their plight in considerable detail. Swift used a satirical tone in his essay "A Modest Proposal" to mock the public for failing to take action or even develop viable solutions to issues like fetal removal, population growth, and poverty.

Swift initially recognizes a problem in this satire: the miserable lives that the Irish poor are experiencing. Then he makes a plan to lessen this load by reducing the population, locating a new food source, and ending begging. The essay, which is disguised as an economic dissertation, suggests that Ireland's poverty be reduced by killing its underprivileged children and selling them to the English landowners as food. Swift's suggestion is a scathing critique of England's economic and legal exploitation of Ireland.

To learn more about “A Modest Proposal”, visit:

brainly.com/question/3413489

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