1. As a chilly breeze blew through her window, Sophie awoke suddenly with shivers running down her spine and goosebumps raising on her arms.
2. On Halloween night, the moon was high in the sky, bright yellow and as eerie as can be; inviting the ghouls and goblins to come out of hiding.
3. Moonlight bathed the quiet street; not a single soul was to be found for miles out this late on a cold winters night.
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Answer:
This poem shows the problem of how African Americans were treated and Cullen's comment is that he does not lose hope, that this will change.
Explanation:
Cullen reflects on these lines that African Americans are somehow oppressed by whites.<em> "We shall not always plant while others reap"</em>, <em>"Not always bend to some more subtle brute".
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This problem will come to an end, since they will not wait forever or continue to suffer.
<em>"We were not made to eternally weep.", "So in the dark we hide the heart that bleeds, And wait, and tend our agonizing seeds.</em> "
Here it is shown how Cullen transmits hope in his words, showing that they will wait, since they will not suffer forever.
Answer:
B) "She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength" (para
8).
E) "There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory"
(para. 23).
Explanation:
The detail(s) from the text that best supports the inference that all marriages of the late 19th century, even happy ones, were somewhat oppressive is option B and E.
This is because, based on the story, Louise is sad that her husband has died but she is relieved that she would no longer be oppressed and is now truly free.
Answer:
The sentence that perfectly describes the excerpt from Shakespear’s sonnet 130 is that the poet is accepting that his love is not perfect, that she doesn’t have all the ideals of the perfect beauty.
Explanation:
He is using strange metaphors to point out that she is not perfect, but that he loves her no matter how she looked. He idealizes her even in her imperfections.
