I don't remember how to count notes
Answer:
I don't know how I feel about the Bermuda triangle thing as I don't know too much of it.
Explanation:
I do like to believe that manifestation is real. I personally manifest things I want out of life and by doing so I have watched myself grow and get everything I wanted. I think that we truly aren't the only beings. I think alternate universes are definitely a possibility because even we are incredible (human beings) so why wouldn't there be. i hope my alternate versions are happy :) whatever they doing lol
Answer:
for a put a quarter rest after the first three notes then 2 after the next two quarter notes put a half rest in the empty measure and a quarter rest at the end of the last measure
Explanation:
the time signature is 
therefore there are supposed to be four beats per measure a quarter note is one fourth of a beat so this means that it would be one beat out of the four you need however if you have a time signature of say 
then you would only need three quarter notes or rests to finish the measure
just to remnd you:
a quarter note or rest = 1 beat
a half note or rest =2 beats
a dotted quarter = 2 beats
a dotted half is = 3 beats
a whole note or rest = 4 beats
and a dotted whole is = 5 beats
hope this helps :$ :)
Answer: There is more than one answer in this question.
Explanation: Artifacts throughout history have proven to be helpful in expressing their creators’ social awareness. An interconnection between art and nature does exist, whether manifested by the use of natural materials or in the form of interference with the natural environment. Geography is of utter significance, since aspects such as the geological history and geophysical view of a site (mountains, plains, oceans, seas, rivers, lakes), will probably be a fundamental piece of a creator’s own psyche. An artifact (project) may be examined either by the creator’s perspective, i.e. intentions, means, interactions with the social groups to which it is addressed, or by the recipient’s perspective, i.e. parameters of the project's recruitment and presence in the field. There are also ways of integrating large-scale work into public space: as part of an architecture, as a visual intervention in the open-air urban space, and as a functional sculptural design. Last but not least, it must be underlined that there can be several goals pursued by creators, such as remodeling of degraded environmental sites, integrating art into everyday life, raising public awareness of ecological problems or exploring innovative expressive possibilities.
